- BPM
- 94
- Key
- D♭ Major
- Camelot
- 3B
Deuxième concert en ré: II. Allemande fuguée - François Couperin, Luc Beauséjour, Chantal Remillard, Margaret Little, Grégoire Jeay, Matthew Jennejohn, Mathieu Lussier Information
- Acousticness
- 95%
- Danceability
- 39%
- Energy
- 10%
- Instrumentalness
- 70%
- Liveness
- 21%
- Loudness
- 58%
- Speechiness
- 3%
- Valence
- 75%
- Popularity
- 1%
- Loudness
- -25.135 dB
Summary
François Couperin, Luc Beauséjour, Chantal Remillard, Margaret Little, Grégoire Jeay, Matthew Jennejohn, Mathieu Lussier made "Deuxième concert en ré: II. Allemande fuguée" available on February 12, 2013. The duration of Deuxième concert en ré: II. Allemande fuguée is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Deuxième concert en ré: II. Allemande fuguée's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 25 in Couperin: Concerts Royaux by François Couperin, Luc Beauséjour. In terms of popularity, Deuxième concert en ré: II. Allemande fuguée is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Deuxième concert en ré: II. Allemande fuguée BPM
The tempo marking of Deuxième concert en ré: II. Allemande fuguée by François Couperin, Luc Beauséjour, Chantal Remillard, Margaret Little, Grégoire Jeay, Matthew Jennejohn, Mathieu Lussier is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Deuxième concert en ré: II. Allemande fuguée Key
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Les Tricoteuses (23e ordre) | François Couperin, Alexandre Tharaud | F Major | 3 | 7B | 169 BPM | |
 | Sonata in G Major, K 13 (L 486) | Domenico Scarlatti, Glenn Gould | G Major | 3 | 9B | 101 BPM | |
 | Sonata sesta for violino solo: I. Adagio | Daniel Purcell, Théotime Langlois de Swarte, Thomas Dunford | E Minor | 0 | 9A | 100 BPM | |
 | Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | |
 | Sœur Monique: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | F Major | 1 | 7B | 71 BPM | |
 | Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Melodie" (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Yoonie Han | D Minor | 0 | 7A | 75 BPM | |
 | Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | |
 | 3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | |
 | Keyboard Suite No. 1 (Set II) in B-Flat Major, HWV 434: IV. Menuet (arr. W. Kempff for piano) | Wilhelm Kempff, George Frideric Handel, Roberto Cominati | G Minor | 0 | 6A | 60 BPM | |
 | Valse Fantaisie, Op.49 | Raoul Koczalski, Ingolf Wunder | B Minor | 0 | 10A | 66 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5952668190002441
End: 0.5999407768249512