Die Schöpfung Hob. XXI:2 / Zweiter Teil: 15. Arie: Auf starkem Fittiche schwinget sich der Adler stolz
Joseph Haydn, Kathleen Battle, Berliner Philharmoniker, James Levine
Haydn: The Creation H.21
7:22 January 1, 1991
BPM
130
Key
F Major
Camelot
7B

Embed

Share Link

Die Schöpfung Hob. XXI:2 / Zweiter Teil: 15. Arie: Auf starkem Fittiche schwinget sich der Adler stolz - Joseph Haydn, Kathleen Battle, Berliner Philharmoniker, James Levine Information

Acousticness
99%
Danceability
32%
Energy
4%
Instrumentalness
22%
Liveness
12%
Loudness
59%
Speechiness
5%
Valence
11%
Popularity
Loudness
-24.647 dB

Summary

"Die Schöpfung Hob. XXI:2 / Zweiter Teil: 15. Arie: Auf starkem Fittiche schwinget sich der Adler stolz" by Joseph Haydn, Kathleen Battle, Berliner Philharmoniker, James Levine was released on January 1, 1991. Since Die Schöpfung Hob. XXI:2 / Zweiter Teil: 15. Arie: Auf starkem Fittiche schwinget sich der Adler stolz is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Franz Joseph Haydn, Berliner Philharmoniker, James Levine's "Haydn: The Creation H.21" album is number 15 out of 34. Based on our statistics, Die Schöpfung Hob. XXI:2 / Zweiter Teil: 15. Arie: Auf starkem Fittiche schwinget sich der Adler stolz's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Die Schöpfung Hob. XXI:2 / Zweiter Teil: 15. Arie: Auf starkem Fittiche schwinget sich der Adler stolz BPM

We consider the tempo marking of Die Schöpfung Hob. XXI:2 / Zweiter Teil: 15. Arie: Auf starkem Fittiche schwinget sich der Adler stolz by Joseph Haydn, Kathleen Battle, Berliner Philharmoniker, James Levine to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Die Schöpfung Hob. XXI:2 / Zweiter Teil: 15. Arie: Auf starkem Fittiche schwinget sich der Adler stolz Key

This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Clarinet Quintet in B flat major, J182, Op.34 (Version for string orchestra): I: Allegro by Carl Maria von Weber, Sabine Meyer, Jörg Faerber, Württembergisches Kammerorchester HeilbronnClarinet Quintet in B flat major, J182, Op.34 (Version for string orchestra): I: AllegroCarl Maria von Weber, Sabine Meyer, Jörg Faerber, Württembergisches Kammerorchester HeilbronnB♭ Minor03A60 BPM
Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato by Johannes Brahms, David ZinmanSymphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionatoJohannes Brahms, David ZinmanE Minor19A88 BPM
Rhapsody In G Minor, Op.79, No.2 by Johannes Brahms, Radu LupuRhapsody In G Minor, Op.79, No.2Johannes Brahms, Radu LupuC Major18B140 BPM
Bassoon Concerto in F, Op.75: 1. Allegro ma non troppo by Carl Maria von Weber, Milan Turkovic, Bamberg Symphony, Hanns-Martin SchneidtBassoon Concerto in F, Op.75: 1. Allegro ma non troppoCarl Maria von Weber, Milan Turkovic, Bamberg Symphony, Hanns-Martin SchneidtF Major17B128 BPM
Oboe Concerto in D Minor, S. Z799: I. Andante by Alessandro Marcello, Musica Bohemica, Jaroslav Krcek, Gabriela KrčkováOboe Concerto in D Minor, S. Z799: I. AndanteAlessandro Marcello, Musica Bohemica, Jaroslav Krcek, Gabriela KrčkováD Minor17A72 BPM
Amadis de Gaule, W. G39: Act II Scene V: Gigue by Johann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth RillingAmadis de Gaule, W. G39: Act II Scene V: GigueJohann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth RillingE Major112B132 BPM
Symphony No. 35 KV385 in DMajor Symphony No. 35 KV385 in DMajor "Haffner": Allegro con spiritoAcademy of St. Martin in the Fields, Iona BrownD Major110B79 BPM
Das listige Bauernmädchen: No. 12, — by Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek ŠtilecDas listige Bauernmädchen: No. 12, —Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek ŠtilecD Major110B92 BPM
Viola Concerto in D Major: I. Allegro by Franz Anton Hoffmeister, Hariolf Schlichtig, Munich Chamber OrchestraViola Concerto in D Major: I. AllegroFranz Anton Hoffmeister, Hariolf Schlichtig, Munich Chamber OrchestraD Major110B128 BPM
Symphony in C Major, Op. 3, No. 2, W. C2: III. Allegro assai by Johann Christian Bach, Camerata De Budapest, Hanspeter GmürSymphony in C Major, Op. 3, No. 2, W. C2: III. Allegro assaiJohann Christian Bach, Camerata De Budapest, Hanspeter GmürC Major18B73 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.8292512893676758

End: 0.8337037563323975