"Waldemarsskatten, Act 2: Intermezzo - Brinn stjerna, brinn" by Andreas Hallén, Lena Hoel, Anders Larsson, B.Tommy Andersson, Swedish Radio Symphony Orchestra was released on May 5, 2023. With this song being about 5 minutes long, at 4:33, "Waldemarsskatten, Act 2: Intermezzo - Brinn stjerna, brinn" by Andreas Hallén, Lena Hoel, Anders Larsson, B.Tommy Andersson, Swedish Radio Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 11 out of 25 in Andreas Hallén: Waldemarsskatten by Andreas Hallén, Anders Larsson, Lena Hoel, B.Tommy Andersson, Swedish Radio Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Waldemarsskatten, Act 2: Intermezzo - Brinn stjerna, brinn is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Waldemarsskatten, Act 2: Intermezzo - Brinn stjerna, brinn by Andreas Hallén, Lena Hoel, Anders Larsson, B.Tommy Andersson, Swedish Radio Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria Rusticana: Intermezzo Sinfonico | Pietro Mascagni, Balthasar Neumann Orchestra, Thomas Hengelbrock | E♭ Major | 1 | 5B | 76 BPM | ||
Katya Kabanova, JW I/8, Act II Scene 2: Introduction | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra | A♭ Major | 0 | 4B | 79 BPM | ||
A Midsummer Night's Dream, Op. 61: No. 9, Hochzeitsmarsch. Allegro vivace | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XVII. Gavotta with Two Variations | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Stabat Mater, FP 148: VII. Eja mater | Francis Poulenc, Ensemble Aedes, Les Siècles, Mathieu Romano | E♭ Major | 3 | 5B | 182 BPM | ||
Variations on a Theme by Frank Martin, Op. 105: Var. 2, Adagio | Arnold Rosner, London Philharmonic Orchestra, Nick Palmer | C Minor | 1 | 5A | 136 BPM | ||
Shchedrin: Carmen Suite: I. Introduction (after Bizet's opera) | Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev | D♭ Major | 4 | 3B | 154 BPM | ||
The Four Moons: VII. The Cherokee Variation. Yvonne Chouteau | Louis W. Ballard, Louis Wayne Ballard, Fort Smith Symphony, John Jeter | D Minor | 1 | 7A | 170 BPM | ||
Las 4 Estaciones Porteñas (Arr. for Violin & String Orchestra by Leonid Desyatnikov): IV. Primavera Porteño | Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden | F Major | 3 | 7B | 141 BPM | ||
弦楽のためのアダージョ (バーバー)[式後の音楽] | ソフィア交響楽団 | B♭ Minor | 1 | 3A | 78 BPM |
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