Carl Michael Ziehrer, Wiener Philharmoniker, John Eliot Gardiner made "Fächer - polonaise Op. 525 - Arr. Max Schoenherr" available on January 1, 1999. The duration of Fächer - polonaise Op. 525 - Arr. Max Schoenherr is about 3 minutes long, at 3:16. Based on our data, "Fächer - polonaise Op. 525 - Arr. Max Schoenherr" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wiener Soirée by Wiener Philharmoniker, John Eliot Gardiner. The song's track number on the album is #5 out of 9 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Fächer - polonaise Op. 525 - Arr. Max Schoenherr is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Fächer - polonaise Op. 525 - Arr. Max Schoenherr by Carl Michael Ziehrer, Wiener Philharmoniker, John Eliot Gardiner has a tempo of 93 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Fächer - polonaise Op. 525 - Arr. Max Schoenherr being at 93 BPM, the half-time would be 46 BPM with a double-time of 186 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Slavonic Dances, Series I, Op. 46, B. 83: No. 1, Furiant. Presto | Antonín Dvořák, Czech Philharmonic, Zdeněk Košler | C Major | 2 | 8B | 129 BPM | ||
En vogue | Original C.M. Ziehrer Orchestra | F Major | 2 | 7B | 155 BPM | ||
Karelia Suite, Op.11: 1. Intermezzo (Moderato) | Jean Sibelius, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 4 | 5B | 85 BPM | ||
Rigoletto / Act III: La donna è mobile | Giuseppe Verdi, Plácido Domingo, Wiener Philharmoniker, Carlo Maria Giulini | B Major | 1 | 1B | 168 BPM | ||
Symphony No. 3 in A Minor, Op. 56, MWV N 18, "Scottish": 2. Vivace non troppo - Live | Felix Mendelssohn, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Major | 2 | 7B | 129 BPM | ||
Tales From The Vienna Woods | Johann Sebastian Strauss, London Festival Orchestra | B♭ Major | 2 | 6B | 178 BPM | ||
Jazz Suite No. 2: I. March | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Major | 4 | 7B | 116 BPM | ||
Peer Gynt Suite No. 1, Op. 46: 1. Morning Mood | Edvard Grieg, Wiener Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 109 BPM | ||
Music for The Royal Fireworks, HWV351: Bourrée | George Frideric Handel, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | G Major | 6 | 9B | 83 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM |
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