"Partita for Chamber Orchestra: III. Stumbling Sarabande" by Alla Elana Cohen, Elzbieta Brandys, Izumi Sakamoto, Alexis Lanz, Eric Huber, Timur Rubinshteyn, Thomas Schmidt, Marissa Licata, Emily Rome, Ervin Dede, Sebastian Bäverstam was released on August 23, 2019. The duration of Partita for Chamber Orchestra: III. Stumbling Sarabande is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Partita for Chamber Orchestra: III. Stumbling Sarabande's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "Quaestiones et responsa". In this album, this song's track order is #3. In terms of popularity, Partita for Chamber Orchestra: III. Stumbling Sarabande is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Partita for Chamber Orchestra: III. Stumbling Sarabande by Alla Elana Cohen, Elzbieta Brandys, Izumi Sakamoto, Alexis Lanz, Eric Huber, Timur Rubinshteyn, Thomas Schmidt, Marissa Licata, Emily Rome, Ervin Dede, Sebastian Bäverstam having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto, Op. 30: Ig. Studio VI - Per i 24 quarti di tono. Larghissimo | Alberto Ginastera, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 95 BPM | ||
Spiegel im Spiegel - Version for Violin and Piano | Arvo Pärt, Vladimir Spivakov, Sergej Bezrodny | F Major | 0 | 7B | 71 BPM | ||
Violin Concerto, Op. 14: II. Andante | Samuel Barber, James Buswell, Royal Scottish National Orchestra, Marin Alsop | E Major | 0 | 12B | 82 BPM | ||
Interlude - From "2046" | Dirk Brossé, Brussels Philharmonic | A Major | 0 | 11B | 80 BPM | ||
At a Glance | Aydın Esen | G Major | 1 | 9B | 84 BPM | ||
Le sacre du printemps / Pt. 1: L'Adoration de la terre: VIII. Danse de la terre | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | A♭ Minor | 0 | 1A | 84 BPM | ||
String Quartet No.1, Sz.40: I. Lento | Béla Bartók, Belcea Quartet | A♭ Major | 0 | 4B | 86 BPM | ||
Sonatas for String Quartet: I. Alpha | Brian Ferneyhough, Arditti Quartet | G Minor | 0 | 6A | 176 BPM | ||
Sonatas and Interludes for Prepared Piano: First Interlude | John Cage, Boris Berman | G Minor | 3 | 6A | 68 BPM | ||
Cadenza on the Night Plain: Captain Jack Has the Last Word | Terry Riley, Kronos Quartet | D♭ Major | 1 | 3B | 115 BPM |
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