"Gershwin Song Suite: II. Summertime (Version for Solo Violin, Jazz Trio and String Orchestra)" by George Gershwin, Daniel Hope, Marcus Roberts Trio, Zürcher Kammerorchester had its release date on July 6, 2022. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 39 in A short guide to George Gershwin by George Gershwin. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Gershwin Song Suite: II. Summertime (Version for Solo Violin, Jazz Trio and String Orchestra) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gershwin Song Suite: II. Summertime (Version for Solo Violin, Jazz Trio and String Orchestra) by George Gershwin, Daniel Hope, Marcus Roberts Trio, Zürcher Kammerorchester is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quatre Petites Pièces: I. Andante | Charles Koechlin, Daniel Hope, Stefan Dohr, Simon Crawford-Phillips | A Minor | 0 | 8A | 76 BPM | ||
Song Of The Angel | John Tavener, Daniel Hope, Chen Reiss, Kammerorchester Basel | F Major | 1 | 7B | 72 BPM | ||
Recomposed By Max Richter: Vivaldi, The Four Seasons: Autumn 2 - 2012 | Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder | D Major | 1 | 10B | 88 BPM | ||
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM | ||
Concert for Violin, Piano and String Quartet, Op. 21: 3. Grave (Orch.) | Ernest Chausson, Daniel Hope, Lise de la Salle, Zürcher Kammerorchester | F Minor | 1 | 4A | 59 BPM | ||
Serenade for String Orchestra, Op. 20: II. Larghetto | Edward Elgar, Daniel Hope, Zürcher Kammerorchester | F Major | 2 | 7B | 102 BPM | ||
Melodies of the Moments - Cycle VII: III. Musical Moment | Valentin Silvestrov, Daniel Hope, Alexey Botvinov | G Major | 1 | 9B | 127 BPM | ||
Cantique de Jean Racine, Op. 11 (Arr. Rutter) | Gabriel Fauré, Daniel Hope, Deutsches Kammerorchester Berlin, Simon Halsey, Rundfunkchor Berlin | D♭ Major | 2 | 3B | 86 BPM | ||
American Song Suite: IV. Mack The Knife (Version for Violin and Chamber Orchestra) | Kurt Weill, Daniel Hope, Joscho Stephan, Alexander Ponet, Zürcher Kammerorchester | D Major | 1 | 10B | 177 BPM | ||
Love Walked In | George Gershwin, Benjamin Grosvenor | D♭ Major | 1 | 3B | 125 BPM |