Wolfgang Amadeus Mozart, Alexei Ogrintchouk, Lithuanian Chamber Orchestra's 'Oboe Concerto in C Major, K. 271k/K. 314: I. Allegro aperto' came out on May 28, 2013. Since Oboe Concerto in C Major, K. 271k/K. 314: I. Allegro aperto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Alexei Ogrintchouk's "Mozart: Oboe Concerto - Oboe Quartet - Sonata" album is number 4 out of 9. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, Oboe Concerto in C Major, K. 271k/K. 314: I. Allegro aperto's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Oboe Concerto in C Major, K. 271k/K. 314: I. Allegro aperto by Wolfgang Amadeus Mozart, Alexei Ogrintchouk, Lithuanian Chamber Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bassoon Concerto in F, Op.75: 1. Allegro ma non troppo | Carl Maria von Weber, Milan Turkovic, Bamberg Symphony, Hanns-Martin Schneidt | F Major | 1 | 7B | 128 BPM | ||
Concerto for 2 Pianos and Orchestra, K. 365: III. Rondeau. Allegro | Wolfgang Amadeus Mozart, Iona Brown, Norwegian Chamber Orchestra, Håvard Gimse, Vebjorn Anvik | E♭ Major | 1 | 5B | 96 BPM | ||
Cello Concerto No. 1 in C Major, Hob. VIIb:1: IIIa. Allegro molto | Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | C Major | 2 | 8B | 79 BPM | ||
Concerto for 2 Cellos in G Minor, RV 531: III. Allegro | Antonio Vivaldi, Julian Lloyd Webber, Jiaxin Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann | G Minor | 2 | 6A | 130 BPM | ||
From Holberg's Time, Op. 40: I. Praeludium: Allegro vivace | Edvard Grieg, Moscow Soloists, Yuri Bashmet | G Minor | 1 | 6A | 117 BPM | ||
Five Pieces For Two Violins and Piano: IV. Waltz | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Minor | 1 | 6A | 179 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM | ||
Sinfonia concertante for Oboe, Clarinet, Horn and Bassoon in E-Flat Major, K. 297b (Attrib. Doubtful): II. Adagio - Live | Wolfgang Amadeus Mozart, Lucas Macias Navarro, Alessandro Carbonare, Guilhaume Santana, Alessio Allegrini, Orchestra Mozart, Claudio Abbado | E Minor | 2 | 9A | 134 BPM | ||
Viola Concerto in C Minor: III. Allegro molto energico | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | G Minor | 3 | 6A | 79 BPM |
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