Ludwig van Beethoven, Yo-Yo Ma, Emanuel Ax made "Sonata No.3 in A Major, Op. 69: II. Scherzo" available on June 4, 2021. With this song being about 5 minutes long, at 5:29, "Sonata No.3 in A Major, Op. 69: II. Scherzo" by Ludwig van Beethoven, Yo-Yo Ma, Emanuel Ax is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Ludwig van Beethoven, Yo-Yo Ma, Emanuel Ax's "Hope Amid Tears - Beethoven: Cello Sonatas" album is number 2 out of 15. Based on our statistics, Sonata No.3 in A Major, Op. 69: II. Scherzo's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Sonata No.3 in A Major, Op. 69: II. Scherzo by Ludwig van Beethoven, Yo-Yo Ma, Emanuel Ax to be Allegro (fast, quick, and bright) because the track has a tempo of 148 BPM, a half-time of 74BPM, and a double-time of 296 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Triakontameron: No. 11, Alt-Wien (Arr. J. Heifetz for Violin & Piano) | Leopold Godowsky, Nazrin Rashidova, Roderick Chadwick | E Minor | 1 | 9A | 86 BPM | ||
Siete Canciones Populares Españolas: VI. Nana - for alto and piano | Manuel de Falla, Tabea Zimmermann, Javier Perianes | C Major | 0 | 8B | 141 BPM | ||
Salonen Cello Concerto: I. | Esa-Pekka Salonen, Yo-Yo Ma | F♯ Major | 1 | 2B | 84 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Violin Concerto in D Major: II. Adagio | Joseph Bologne Saint-Georges, Zefira Valova, Il Pomo D'oro | E Major | 0 | 12B | 71 BPM | ||
4 Morceaux, Op. 56: No. 2, Romance | Anton Arensky, Dmitrii Khrychev, Olga Solovieva | D Major | 0 | 10B | 100 BPM | ||
Pavane, Op. 50 (Version for Piano) | Gabriel Fauré, Jorge Federico Osorio | F♯ Minor | 0 | 11A | 75 BPM | ||
NO ROADMAP TO ADULTHOOD / Chilly Gonzales: Prelude in C Sharp Major | Chilly Gonzales, Alice Sara Ott | E♭ Minor | 0 | 2A | 70 BPM | ||
Berceuse, Op. 57 | Frédéric Chopin, Kathryn Stott | B Major | 6 | 1B | 212 BPM | ||
Beethoven: Piano Sonata No. 17 in D Minor, Op. 31 No. 2, "Tempest": III. Allegretto | Ludwig van Beethoven, Theodosia Ntokou | G Minor | 2 | 6A | 77 BPM |
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