Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies's 'Canzona trigesima quinta "detta l’Alessandrina"' came out on January 1, 2004. The duration of Canzona trigesima quinta "detta l’Alessandrina" is about 3 minutes long, at 3:28. Based on our data, "Canzona trigesima quinta "detta l’Alessandrina"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 21 in Frescobaldi: Canzoni by Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies. Based on our statistics, Canzona trigesima quinta "detta l’Alessandrina"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Canzona trigesima quinta "detta l’Alessandrina" by Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies is Allegro (fast, quick, and bright), since this song has a tempo of 144 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canzona seconda a 4, due canti e due bassi | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | C Major | 2 | 8B | 143 BPM | ||
Folias (Imperfectas) [Harp] | La Capella Reial De Catalunya, Hespèrion XXI, Andrew Lawrence-King | A Minor | 0 | 8A | 78 BPM | ||
Mass A 5: Kyrie | Oxford Camerata, William Byrd | C Minor | 1 | 5A | 127 BPM | ||
Mistresse Nichols Almand from Lachrimae, or Seaven Teares | John Dowland, Fretwork | B♭ Major | 1 | 6B | 150 BPM | ||
Violin Sonata No. 1 in D Minor: I. Adagio | Élisabeth Jacquet de La Guerre, David Plantier, Daniela Dolci | D♭ Minor | 1 | 12A | 125 BPM | ||
Pavane L'entretien des Dieux | Jacques Champion de Chambonnières, Philippe Pierlot, Lucile Boulanger, Myriam Rignol | F Minor | 1 | 4A | 104 BPM | ||
A Ground in D Minor for Recorder | Godfrey Finger, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Marq | D Major | 0 | 10B | 102 BPM | ||
18 Sonatas in 1, 2, 3 Parts: Sonata No. 2 in D Major | Giovanni Battista Fontana, Daniele Caminiti, Marcin Świątkiewicz, Rachel Podger | D♭ Major | 1 | 3B | 127 BPM | ||
Sonata No. 7 in F Major: III. Allegro spiritoso | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | G Major | 4 | 9B | 82 BPM | ||
Trist'Amarilli mia | Philippe Verdelot, Profeti Della Quinta | F♯ Minor | 1 | 11A | 83 BPM |
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