"Lieder ohne Worte, Op. 30: VI. Allegretto in F-Sharp Minor "Venetian Gondola Song"" by Felix Mendelssohn, Frank Van De Laar was released on April 1, 2006. The duration of Lieder ohne Worte, Op. 30: VI. Allegretto in F-Sharp Minor "Venetian Gondola Song" is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Lieder ohne Worte, Op. 30: VI. Allegretto in F-Sharp Minor "Venetian Gondola Song"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Felix Mendelssohn, Frank Van De Laar's "Mendelssohn: Lieder ohne Worte" album is number 12 out of 48. Lieder ohne Worte, Op. 30: VI. Allegretto in F-Sharp Minor "Venetian Gondola Song" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lieder ohne Worte, Op. 30: VI. Allegretto in F-Sharp Minor "Venetian Gondola Song" by Felix Mendelssohn, Frank Van De Laar to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Children's Corner, L. 113: 5. The Little Shepherd | Claude Debussy, Seong-Jin Cho | A Major | 0 | 11B | 69 BPM | ||
13 Preludes, Op. 32: No. 5 in G Major. Moderato | Sergei Rachmaninoff, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Rinaldo, HWV 7: Lascia ch'io pianga (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | F Major | 0 | 7B | 68 BPM | ||
13 Pieces for Piano, Op. 76: Elegiaco, No. 10 | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 169 BPM | ||
Pavane, Op. 50 | Gabriel Fauré, Louis Lortie | F Major | 2 | 7B | 80 BPM | ||
18 Études, Op. 109: No. 11, La sérénade | Franz Burgmüller, Carl Petersson | A Minor | 0 | 8A | 79 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Prelude in F Minor | Clara Schumann, Jozef De Beenhouwer | F Minor | 1 | 4A | 90 BPM | ||
2 Morceaux, Op. 9: No. 1, Valse | Anatoly Lyadov, Alexander Warenberg | F♯ Minor | 1 | 11A | 67 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM |
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