VI. Gigue from Suite for Solo Cello No. 5 in C minor, BWV 1011 - Instrumental - Johann Sebastian Bach, Edgar Meyer Information

Acousticness: 99%
Danceability: 46%
Energy: 12%
Instrumentalness: 90%
Liveness: 14%
Loudness: 65%
Speechiness: 4%
Valence: 57%
Popularity: 4%
Loudness: -20.933 dB

Summary

Johann Sebastian Bach, Edgar Meyer made "VI. Gigue from Suite for Solo Cello No. 5 in C minor, BWV 1011 - Instrumental" available on 1996. The duration of VI. Gigue from Suite for Solo Cello No. 5 in C minor, BWV 1011 - Instrumental is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. VI. Gigue from Suite for Solo Cello No. 5 in C minor, BWV 1011 - Instrumental's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "The Best of Edgar Meyer". In this album, this song's track order is #14. VI. Gigue from Suite for Solo Cello No. 5 in C minor, BWV 1011 - Instrumental is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

VI. Gigue from Suite for Solo Cello No. 5 in C minor, BWV 1011 - Instrumental BPM

With VI. Gigue from Suite for Solo Cello No. 5 in C minor, BWV 1011 - Instrumental by Johann Sebastian Bach, Edgar Meyer having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

VI. Gigue from Suite for Solo Cello No. 5 in C minor, BWV 1011 - Instrumental Key

This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Viola da gamba Sonata in G Minor, BWV 1029 (Arr. for Cello & Piano): III. Allegro	Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt	A♭ Major	0	4B	84 BPM
Pavane pour une infante défunte	Maurice Ravel, Alexandre Tharaud	E Minor	0	9A	63 BPM
Concerto Grosso In D Major, Op. 6, No. 1 : V. Largo	Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana	B Minor	1	10A	87 BPM
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax	Antonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood	E♭ Major	1	5B	99 BPM
Ein Sommernachtstraum (A Midsummer's Night Dream): VI. Notturno	Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe	E Major	0	12B	89 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten)	Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields	F Major	1	7B	124 BPM
Water Music, Suite No. 1, HWV 348: No. 2, Adagio e staccato	George Frideric Handel, Akademie für Alte Musik Berlin	A Major	0	11B	35 BPM
Trumpet Sonata in D Major, Z. 850: I. Allegro	Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra	E♭ Minor	0	2A	83 BPM
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Allegro	Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach	B♭ Major	4	6B	129 BPM
Sonata a 5 in G Minor, Op. 2, No. 6: I. Adagio	Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek	C Minor	1	5A	147 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6927742958068848

End: 0.6988630294799805