"Regina coeli" by Leopold I, Henri Ledroit, Philippe Pierlot, Ricercar Consort was released on 1981. Since Regina coeli is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 18 out of 18 in Charpentier: Rendez-moi mes plaisirs by Henri Ledroit, Ricercar Consort. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. Regina coeli is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Regina coeli by Leopold I, Henri Ledroit, Philippe Pierlot, Ricercar Consort is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tres Lectiones I. Nocturni pro Defunctis Piae Claudiae Felici lugens maestusque Leopoldus posuit et musicis legibus distinxit, W 33: Responsorium: Credo, credo | Leopold I, Hans-Jörg Mammel, Cappella Murensis, Les Cornets Noirs, Johannes Strobl | G Minor | 1 | 6A | 170 BPM | ||
Buxtehude: Membra Jesu nostri, BuxWV 75: III. Ad manus. "Quid sunt plagae istae" | Dietrich Buxtehude, Ton Koopman, Barbara Schlick, Monika Frimmer, Michael Chance, Christoph Prégardien, Peter Kooij, Knabenchor Hannover, Amsterdam Baroque Orchestra | D Major | 1 | 10B | 130 BPM | ||
Ricercar 13 | Giulio Segni Da Modena, Gawain Glenton, Silas Wollston | A Major | 0 | 11B | 77 BPM | ||
Médée, H. 491, Act II: Passacaille | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet | C Minor | 1 | 5A | 86 BPM | ||
Auferstehungshistorie, SWV 50: (Introitus) Die Auferstehung unseres Herren Jesu Christi | Heinrich Schütz, Ensemble Polyharmonique | D Minor | 3 | 7A | 134 BPM | ||
Illumina faciem tuam | Carlo Gesualdo, Owain Park, The Gesualdo Six | F Major | 1 | 7B | 136 BPM | ||
Missa pro Defunctis, W 11: Te decet hymnus | Leopold I, Ulrike Hofbauer, Monika Mauch, Alex Potter, Hans-Jörg Mammel, Lisandro Abadie, Cappella Murensis, Les Cornets Noirs, Johannes Strobl | B♭ Major | 1 | 6B | 91 BPM | ||
Brando dicho el Melo | Andrea Falconieri, La Ritirata, Josetxu Obregon | C Major | 6 | 8B | 70 BPM | ||
Cazzati: Capriccio sopra sette note | Maurizio Cazzati, Christina Pluhar, L'Arpeggiata | C Major | 2 | 8B | 118 BPM | ||
Canzon quinta a tre | Bartolomé de Selma y Salaverde, La Ritirata, Josetxu Obregon | C Major | 3 | 8B | 74 BPM |
Section: 0.6972975730895996
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