"Pierrot Lunaire, Op. 21 / Part 3: XV. Heimweh" by Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez was released on January 1, 1998. The duration of Pierrot Lunaire, Op. 21 / Part 3: XV. Heimweh is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Pierrot Lunaire, Op. 21 / Part 3: XV. Heimweh's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Schoenberg: Pierrot Lunaire; Herzgewächse; Ode to Napoleon". In this album, this song's track order is #15. Based on our statistics, Pierrot Lunaire, Op. 21 / Part 3: XV. Heimweh's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pierrot Lunaire, Op. 21 / Part 3: XV. Heimweh by Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Aquarelles: No. 1. Lento, ma non troppo | Frederick Delius, Eric Fenby, English Chamber Orchestra, Julian Lloyd Webber | B♭ Major | 1 | 6B | 88 BPM | ||
Nocturnes: No. 1. Nuages | Claude Debussy, MDR Leipzig Radio Chorus, Leipzig Radio Symphony Orchestra, Max Pommer | C Major | 0 | 8B | 76 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
Herzgewächse, Op. 20 | Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez | D Major | 0 | 10B | 91 BPM | ||
Schoenberg: Gurre-Lieder, Pt. 3: "Gegrüsst, o König" (Waldemars Mannen) | Arnold Schoenberg, Sir Simon Rattle, Berliner Philharmoniker, Karita Mattila, Thomas Moser, Anne Sofie von Otter, Thomas Quasthoff | D Major | 4 | 10B | 68 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Fünf Klavierstücke: V. Walzer | Arnold Schoenberg, Maurizio Pollini | F♯ Major | 0 | 2B | 99 BPM | ||
44 Duos for 2 Violins, BB 104, Vol. 1: Parosito (Teasing Song) | Béla Bartók, György Pauk, Kazuki Sawa | B Minor | 0 | 10A | 112 BPM | ||
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM |
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