Claude Debussy, Itzhak Perlman, Samuel Sanders's 'Debussy: Children's Corner, L. 113: VI. Golliwog's Cake-Walk (Arr. for Violin and Piano by Jascha Heifetz)' came out on October 3, 2005. The duration of Debussy: Children's Corner, L. 113: VI. Golliwog's Cake-Walk (Arr. for Violin and Piano by Jascha Heifetz) is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Debussy: Children's Corner, L. 113: VI. Golliwog's Cake-Walk (Arr. for Violin and Piano by Jascha Heifetz)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Violin Encores: Perlman by Itzhak Perlman. The song's track number on the album is #26 out of 46 tracks. In terms of popularity, Debussy: Children's Corner, L. 113: VI. Golliwog's Cake-Walk (Arr. for Violin and Piano by Jascha Heifetz) is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
Since Debussy: Children's Corner, L. 113: VI. Golliwog's Cake-Walk (Arr. for Violin and Piano by Jascha Heifetz) by Claude Debussy, Itzhak Perlman, Samuel Sanders has a tempo of 109 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Debussy: Children's Corner, L. 113: VI. Golliwog's Cake-Walk (Arr. for Violin and Piano by Jascha Heifetz) being at 109 BPM, the half-time would be 54 BPM with a double-time of 218 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Preludes For Piano, Op.11: No. 11 In B | Alexander Scriabin, Yuja Wang | B Major | 0 | 1B | 67 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): III. Andante moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
5 Pieces, Op. 75, "The Trees": No. 1 Nar ronnen blommar (When the Rowan Blossoms) | Jean Sibelius, Håvard Gimse | E♭ Major | 0 | 5B | 75 BPM | ||
Pièces Lyriques, Op. 47 No. 3: Mélodie | Edvard Grieg, Shani Diluka | F Major | 0 | 7B | 105 BPM | ||
Pavane, Op. 50 (Version for Piano) | Gabriel Fauré, Jorge Federico Osorio | F♯ Minor | 0 | 11A | 75 BPM | ||
String Quartet No. 3, "Mishima": VI. Mishima / Closing | Philip Glass, Carducci String Quartet | C Minor | 0 | 5A | 136 BPM | ||
Rêverie, L. 68 | Claude Debussy, Axel Gillison | E♭ Major | 1 | 5B | 128 BPM | ||
Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | ||
Deux Arabesques: No. 1 in E major | Peter Schmalfuss | F♯ Minor | 0 | 11A | 74 BPM | ||
The Sleeping Beauty, Op. 66, TH 13 / Act 1: 6. Valse | Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti | B♭ Major | 2 | 6B | 102 BPM |
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