"W.Kilar/G.Niemczuk - Theme from Rodzina Polanieckich" by Grzegorz Niemczuk, Wojciech Kilar was released on 2014. The duration of W.Kilar/G.Niemczuk - Theme from Rodzina Polanieckich is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. W.Kilar/G.Niemczuk - Theme from Rodzina Polanieckich's duration is considered a little bit shorter than the average duration of a typical track. This song is part of W.Kilar - Film music transcriptions by Grzegorz Niemczuk. The song's track number on the album is #1 out of 12 tracks. Based on our data, Sweden was the country where this track was produced or recorded. W.Kilar/G.Niemczuk - Theme from Rodzina Polanieckich is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since W.Kilar/G.Niemczuk - Theme from Rodzina Polanieckich by Grzegorz Niemczuk, Wojciech Kilar has a tempo of 67 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With W.Kilar/G.Niemczuk - Theme from Rodzina Polanieckich being at 67 BPM, the half-time would be 34 BPM with a double-time of 134 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Guillaume's Confession - Instrumental | Rachel Portman | E♭ Major | 0 | 5B | 102 BPM | ||
Train-1 (From "Zhou Yu’s Train") | Shigeru Umebayashi | C Major | 3 | 8B | 72 BPM | ||
The Promise of Things to Come | Jan A.P. Kaczmarek | C Major | 4 | 8B | 87 BPM | ||
8 Slavonic Dances, Op.72, B.147: No.2 In E Minor (Allegretto grazioso) | Antonín Dvořák, Russian National Orchestra, Mikhail Pletnev | E Major | 5 | 12B | 85 BPM | ||
Kip's Lights | Academy of St. Martin in the Fields, Gabriel Yared | G Major | 1 | 9B | 62 BPM | ||
I'll Always Go Back To That Church | Academy of St. Martin in the Fields, Gabriel Yared | D Major | 2 | 10B | 133 BPM | ||
Wilde - From "Wilde" | Debbie Wiseman, The Orchestra of the Guildhall School | F♯ Major | 1 | 2B | 73 BPM | ||
Theme for Harp, Strings & Theremin (From "First Man") | Justin Hurwitz, Darryl Kubian, Gillian Benet Sella, Cincinnati Pops Orchestra, John Morris Russell | G Minor | 0 | 6A | 93 BPM | ||
Where Is Your Heart (From "Moulin Rouge") [Arr. for Piano] | Georges Auric, Dario Müller | E♭ Major | 0 | 5B | 66 BPM | ||
Präludium Nr. 1, C-Dur, BWV 846 | Johann Sebastian Bach, Roger Woodward | F Major | 0 | 7B | 64 BPM |
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