"Bliss, Act III, Scene 1, "Bedlam": "How do you do? Everybody calls me 'Nurse'"" by Brett Dean, Amanda Holden, Shane Lowrencev, Opera Australia Orchestra, Elgar Howarth was released on June 12, 2015. The duration of Bliss, Act III, Scene 1, "Bedlam": "How do you do? Everybody calls me 'Nurse'" is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Bliss, Act III, Scene 1, "Bedlam": "How do you do? Everybody calls me 'Nurse'"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 32 out of 44 in Bliss by Amanda Holden, Brett Dean, Opera Australia. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. Bliss, Act III, Scene 1, "Bedlam": "How do you do? Everybody calls me 'Nurse'" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bliss, Act III, Scene 1, "Bedlam": "How do you do? Everybody calls me 'Nurse'" by Brett Dean, Amanda Holden, Shane Lowrencev, Opera Australia Orchestra, Elgar Howarth is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas, Z. 626: Dido's Lament (Arr. L. Stokowski) | Henry Purcell, Charles Rosekrans, Royal Philharmonic Orchestra | D♭ Major | 0 | 3B | 88 BPM | ||
Spring Symphony, Op. 44, Part I: Introduction. Shine out (chorus) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, London Symphony Chorus | D♭ Major | 0 | 3B | 98 BPM | ||
Three Bagatelles: No. 2, Divertimenti in Carnival Serenade | Soeui Lee, Pacific Quintet | F Minor | 4 | 4A | 115 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": VIII. Dance of the Eart | Igor Stravinsky, San Francisco Symphony, Esa-Pekka Salonen | D Minor | 3 | 7A | 114 BPM | ||
Piano Concerto No. 1, Op. 45: III. Molto vivace | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | C Minor | 3 | 5A | 76 BPM | ||
D’un cahier d’esquisses, L.112 (Arr. For Cello And Piano By Olivier Hébert-Bouchard) | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A♭ Major | 0 | 4B | 170 BPM | ||
3 Pieces, Op. 34: No. 1. Lent | Charles Koechlin, Eckart Hubner, Inge-Susann Romhild | B Minor | 0 | 10A | 72 BPM | ||
Moonlight | Imants Zemzaris, Trio NYX | C Major | 0 | 8B | 86 BPM | ||
Kammermusik No. 5, Op. 36 No. 4: II. Langsam | Paul Hindemith, Brett Dean, Queensland Symphony Orchestra, Werner Andreas Albert | F♯ Major | 0 | 2B | 69 BPM | ||
Here's One (Arr. Kaufman for Violin and Piano) | William Grant Still, Randall Goosby, Zhu Wang | D♭ Minor | 1 | 12A | 84 BPM |
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