Marin Marais, Leif Henrikson, Lars-Erik Larsson's 'Suite in G Major: VIII. Chaconne' came out on April 22, 2016. The duration of Suite in G Major: VIII. Chaconne is about 3 minutes long, at 3:04. Based on our data, "Suite in G Major: VIII. Chaconne" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Marin Marais, Leif Henrikson, Lars-Erik Larsson's "Marin Marais: Pièces de violes Cinquième livre" album is number 15 out of 25. On top of that, Sweden appears to be the country where this track was created. Suite in G Major: VIII. Chaconne is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite in G Major: VIII. Chaconne by Marin Marais, Leif Henrikson, Lars-Erik Larsson to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Royer: Pièces de clavecin, Book 1 (1746): No. 4 Tambourins: Premier Tambourin (Suite des Matelots) & Deuxième Tambourin | Joseph-Nicolas-Pancrace Royer, Jean Rondeau | C Major | 4 | 8B | 76 BPM | ||
Te Deum, H. 146: I. Prélude | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | C Major | 4 | 8B | 101 BPM | ||
Concerto in D Minor; Op. 6 No. 5: I. Largo | Charles Avison, Café Zimmermann | D♭ Minor | 1 | 12A | 134 BPM | ||
Viola da Gamba Suite in D Major: II. Allegro | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 1 | 3B | 90 BPM | ||
Membra Jesu Nostri, BuxWV 75: I. Ad pedes. Ecce super montes | Dietrich Buxtehude, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 1 | 4B | 97 BPM | ||
Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: III. [Passacaglia] | Dietrich Buxtehude, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Wonner | A♭ Minor | 3 | 1A | 73 BPM | ||
Marais: Pièces en trio: Suite No. 4 en si bémol majeur: II. Sarabande | Marin Marais, Ensemble Amalia | A Major | 0 | 11B | 76 BPM | ||
Pièces pour théorbe, Suite in G Major: II. Chaconne | Robert de Visée, Xavier Diaz-Latorre | G Major | 1 | 9B | 123 BPM | ||
In Nomine | John Taverner, The Rose Consort Of Viols | E Major | 0 | 12B | 108 BPM | ||
Ciaconna | Andrea Falconieri, Capella De La Torre, Katharina Bauml | C Major | 2 | 8B | 94 BPM |
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