"Prélude in G-Sharp Minor, Op. 32, No. 12" by Sergei Rachmaninoff, Khatia Buniatishvili was released on March 22, 2024. The duration of Prélude in G-Sharp Minor, Op. 32, No. 12 is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Prélude in G-Sharp Minor, Op. 32, No. 12's duration is considered a little bit shorter than the average duration of a typical track. Since Prélude in G-Sharp Minor, Op. 32, No. 12 only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United States. Prélude in G-Sharp Minor, Op. 32, No. 12 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Prélude in G-Sharp Minor, Op. 32, No. 12 by Sergei Rachmaninoff, Khatia Buniatishvili having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Lieder, Op. 49: No. 4, Wiegenlied (Arr. Reger for Piano) | Johannes Brahms, Rudolf Buchbinder | E♭ Major | 0 | 5B | 89 BPM | ||
Schwanengesang, D. 957: No. 4, Ständchen (Transcr. for Cello and Piano) | Franz Schubert, Kian Soltani, Aaron Pilsan | D Minor | 0 | 7A | 72 BPM | ||
L'Oiseau de feu (1911 Version): X. Khorovod (Ronde) des princesses | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | F Minor | 0 | 4A | 68 BPM | ||
Lied ohne Worte, Op. 109 | Felix Mendelssohn, Sol Gabetta, Bertrand Chamayou | D Major | 2 | 10B | 134 BPM | ||
Valse Sentimentale | Pyotr Ilyich Tchaikovsky, Khatia Buniatishvili | D♭ Major | 0 | 3B | 107 BPM | ||
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM | ||
6 Piano Pieces, Op. 118: No. 2 in A Major. Intermezzo | Johannes Brahms, Hélène Grimaud | D♭ Major | 1 | 3B | 172 BPM | ||
Piano Concerto in G Major, M. 83: 2. Adagio assai | Maurice Ravel, Martha Argerich, Berliner Philharmoniker, Claudio Abbado | E Major | 0 | 12B | 75 BPM | ||
Liebeslied "Widmung, von Robert Schumann", S. 566 (After Myrthen, Op. 25/1) | Franz Liszt, Angela Hewitt | G Major | 0 | 9B | 63 BPM | ||
Reverie | Alexis Ffrench | F Minor | 1 | 4A | 122 BPM |
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