Inge Rosar's 'Aria variata alla maniera italiana, BWV 989: Var. III' came out on October 28, 2016. With Aria variata alla maniera italiana, BWV 989: Var. III being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Inge Rosar's "J. S. Bach: BWV 831, BWV 802 - 805, BWV 944, BWV 989" album is number 21 out of 28. On top of that, France appears to be the country where this track was created. Aria variata alla maniera italiana, BWV 989: Var. III is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Aria variata alla maniera italiana, BWV 989: Var. III by Inge Rosar to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Goldberg Variations Bwv 988, Variatio 1 | Calefax Reed Quintet | G Major | 3 | 9B | 103 BPM | ||
Andante in F Major, Wq. 116/24, H. 250 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Major | 0 | 7B | 118 BPM | ||
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM | ||
Toccata in G Minor (Arr. E. Netzer for Harp) | Alessandro Scarlatti, Elisa Netzer | C Minor | 1 | 5A | 100 BPM | ||
Kleine Präludien: No.7 in G Minor, BWV 930 | Inge Rosar | C Major | 1 | 8B | 147 BPM | ||
Scarlatti: Sonata K. 20 in E-major | Nikolaj Koppel | E Major | 0 | 12B | 135 BPM | ||
Präludium in C Minor, BWV 999 | Inge Rosar | E Minor | 0 | 9A | 117 BPM | ||
Concerto Grosso in D Minor, H. 143 "La Folia" (after Corelli Violin Sonata, Op. 5 No. 12): Theme & Var. I - VII | Francesco Geminiani, Nicola Benedetti, Benedetti Baroque Orchestra | D♭ Minor | 3 | 12A | 147 BPM | ||
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: No. 2 in A Minor, Op. 19, No. 2 | Felix Mendelssohn, Péter Nagy | A Major | 0 | 11B | 85 BPM | ||
Concerto in E Minor: II. Vivace | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 3 | 2A | 117 BPM |
Section: 0.666802167892456
End: 0.6715347766876221