"24 Préludes, Op. 28: No. 12. in G-Sharp Minor" by Frédéric Chopin, Martha Argerich was released on January 1, 1987. With 24 Préludes, Op. 28: No. 12. in G-Sharp Minor being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 12 out of 29 in Chopin: 26 Preludes by Frédéric Chopin, Martha Argerich. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, 24 Préludes, Op. 28: No. 12. in G-Sharp Minor is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 24 Préludes, Op. 28: No. 12. in G-Sharp Minor by Frédéric Chopin, Martha Argerich is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saint-Saëns: 6 Études, Op. 111: No. 1, Tierces majeures et mineures | Camille Saint-Saëns, Bertrand Chamayou | A♭ Minor | 1 | 1A | 104 BPM | ||
Prelude In F Major, BWV 928 : Prelude In F Major, BWV 928 | Janos Sebestyen, Johann Sebastian Bach | F Major | 2 | 7B | 140 BPM | ||
Piano Sonata in D, H.XVI No.37: 2. Largo e sostenuto | Joseph Haydn, Alfred Brendel | B♭ Major | 4 | 6B | 89 BPM | ||
Nocturne No. 20 in C-Sharp Minor, Op. posth. (arr. N. Milstein) | Nathan Milstein, Frédéric Chopin, Elissa Lee Koljonen, Robert Koenig | D♭ Minor | 1 | 12A | 81 BPM | ||
Mazurka No.3 In E Op.6 No.3 | Frédéric Chopin, Vladimir Ashkenazy | E Major | 1 | 12B | 98 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: II. Rondo: Presto | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | A Major | 1 | 11B | 138 BPM | ||
Recollections of Paganini, WoO 8, S190: IV. Campanella | Johann Nepomuk Hummel, Madoka Inui | A Minor | 1 | 8A | 138 BPM | ||
6 Violin Sonatas, Op. 10b No. 4 in E-Flat Major, J. 102: II. Rondo: Vivace | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | E♭ Major | 1 | 5B | 112 BPM | ||
Symphony No. 98 in B-Flat Major, Hob.I:98: II. Adagio | Joseph Haydn, Nicolaus Esterhazy Sinfonia, Béla Drahos | E Major | 1 | 12B | 131 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM |
Section: 0.6921272277832031
End: 0.6950685977935791