"Liederen Op. 2: Empfängniss" by Alexander von Zemlinsky, Barbara Hannigan, Reinbert de Leeuw was released on August 24, 2018. The duration of Liederen Op. 2: Empfängniss is about 3 minutes long, at 3:00. Based on our data, "Liederen Op. 2: Empfängniss" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vienna: Fin de Siècle by Barbara Hannigan, Reinbert de Leeuw. The song's track number on the album is #17 out of 31 tracks. Based on our data, France was the country where this track was produced or recorded. Liederen Op. 2: Empfängniss is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Liederen Op. 2: Empfängniss by Alexander von Zemlinsky, Barbara Hannigan, Reinbert de Leeuw has a tempo of 75 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Liederen Op. 2: Empfängniss being at 75 BPM, the half-time would be 38 BPM with a double-time of 150 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite for Stor Orkester: IV. Finale. Allegro ben Moderato | Helena Munktell, Gävle Symphony Orchestra, Tobias Ringborg | E♭ Major | 2 | 5B | 138 BPM | ||
Frauenliebe und Leben, Op. 42 (Arr. Reimann for Soprano and String Quartet): No. 4, Du Ring an meinem Finger | Robert Schumann, Claudia Barainsky, Delian Quartett | E♭ Major | 0 | 5B | 87 BPM | ||
La traviata, Act I: Overture: La Traviata, Act III: Prelude | Giuseppe Verdi, Budapest Philharmonic Orchestra, Karolos Trikolidis | F Major | 1 | 7B | 75 BPM | ||
Ländliche Tänze, Op. 1: No. 7, Sehr zart | Alexander von Zemlinsky, Emanuele Torquati | A Major | 0 | 11B | 73 BPM | ||
Concert Suite from the opera 'The Golden Cockerel': 2. King Dodon on the battlefield | Bournemouth Symphony Orchestra, Paavo Berglund | D♭ Major | 0 | 3B | 115 BPM | ||
Turmwächterlied und andere Gesänge op.8: 4. Tod in Ähren | Alexander von Zemlinsky, Hans Peter Blochwitz, Cord Garben | D♭ Major | 0 | 3B | 80 BPM | ||
Gounod : Faust : Act 2 Entr'acte | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | F Minor | 0 | 4A | 82 BPM | ||
Concerto for String Orchestra: III. Vivo | Graźnya Bacewicz, Sinfonia Of London, John Wilson | A♭ Major | 1 | 4B | 142 BPM | ||
Symphony No. 3 in F Major, Op. 90: I. Allegro con brio - Un poco sostenuto - Tempo I (2) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM | ||
Prélude à l’après-midi d’un faune, 900846: Debussy: Prélude à l’après-midi d’un faune | Claude Debussy, Mariss Jansons, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 82 BPM |
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