"Epistle: Ephesians 5:22-33" by Bonaventure Choir had its release date on 1969. The duration of This song is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Epistle: Ephesians 5:22-33's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Bonaventure Choir's "Latin High Mass for Nostalgic Catholics" album is number 5 out of 18. Epistle: Ephesians 5:22-33 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Epistle: Ephesians 5:22-33 by Bonaventure Choir to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Angels We Have Heard on High | Edward Atkinson, the Saint Ambrose Schola Cantorum | C Major | 3 | 8B | 112 BPM | ||
Amabile Alleluia | Sarah Quartel, Reading Phoenix Choir, Christopher Hann | E♭ Major | 2 | 5B | 99 BPM | ||
10 Vespers | Concordia Publishing House, Seminary Kantorei of Concordia Theological Seminary | D Major | 1 | 10B | 102 BPM | ||
Offertorium: Lauda Anima Mea Dominum | Marek Klein | D♭ Major | 1 | 3B | 129 BPM | ||
The Angel Cried - Valaam Chant, Arr. M. Balakirev | St. Tikhon's Seminary & Monastery Choirs, Benedict Sheehan | D Major | 1 | 10B | 80 BPM | ||
Pesnopeniya i molitvi (Canticles and Prayers): The Nativity of Christ: It is meet | Georgy Sviridov, Ivanna Bondaruk, Credo Chamber Choir, Bogdan Plish | F Major | 1 | 7B | 78 BPM | ||
Канон Пасхи. Песнь 4, 5 и 6 | Объединенный хор Свято-Успенской Киево-Печерской Лавры и Киевских Духовных Акадении и Семинарии, иеродиакон Кирилл (Борисевич) | G Major | 3 | 9B | 86 BPM | ||
Gaude, mater Polonia (Polish, 13th century) | Early Music New York | F Major | 1 | 7B | 70 BPM | ||
Alleluia Vidimus Stellam | Schola Gregoriana Monacensis | F♯ Minor | 1 | 11A | 75 BPM | ||
Kyrie: Mass in G, Casali | Bonaventure Choir | D♭ Major | 2 | 3B | 94 BPM |