Объединенный хор Свято-Успенской Киево-Печерской Лавры и Киевских Духовных Акадении и Семинарии, иеродиакон Кирилл (Борисевич)'s 'Канон Пасхи. Песнь 4, 5 и 6' came out on March 5, 1999. With Канон Пасхи. Песнь 4, 5 и 6 being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in Христос Воскресе!, so we believe that "Канон Пасхи. Песнь 4, 5 и 6" is a single. Канон Пасхи. Песнь 4, 5 и 6 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Канон Пасхи. Песнь 4, 5 и 6 by Объединенный хор Свято-Успенской Киево-Печерской Лавры и Киевских Духовных Акадении и Семинарии, иеродиакон Кирилл (Борисевич) is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa "Mater Patris": Introitus. Vultum tuum – cantus planus | Josquin des Prez, Jerycho, Bartosz Izbicki | B Major | 0 | 1B | 129 BPM | ||
To the Most Holy Sovereign Lady, Op. 43: VI. O Fervent Intercessor | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | C Major | 2 | 8B | 90 BPM | ||
Ote i Endoxoi Mathite, sintomo | Choir of Vatopedi Fathers | G Major | 2 | 9B | 72 BPM | ||
いつもいつものアレルヤ | 子羊の群れキリスト教会 | D Minor | 0 | 7A | 124 BPM | ||
Свете Неизменный | Объединенный хор Свято-Успенской Киево-Печерской Лавры и Киевских Духовных Акадении и Семинарии, иеродиакон Кирилл (Борисевич) | A♭ Major | 1 | 4B | 141 BPM | ||
Jesu, Rex admirabilis | Chorale Laetare | C Major | 1 | 8B | 165 BPM | ||
Ad Aspersionem: Vidi Aquam | Louis Sclavis, Nicola Pisani, Francesco Caligiuri | F Major | 1 | 7B | 172 BPM | ||
The Mother Of Christ Is Help To The Helpless | Men's Choir of the Valaam Singing Culture Institute | F♯ Major | 0 | 2B | 86 BPM | ||
Tota pulchra es / Maria | nieznany, Schola Duszpasterstwa Młodzieży REJS, Schola braci dominikanów i studentów Kolegium Filozoficzno-Teologicznego Polskiej Prowincji Dominikanów | C Minor | 2 | 5A | 97 BPM | ||
Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Chosen of God | Komitas, Hovhannes Nersesyan, Latvian Radio Choir, Sigvards Kļava | A Major | 2 | 11B | 110 BPM |
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