"Le Musiche... a una e Due Voci,"Che Vegg'io Ohimè" - Libro IV" by Sigismondo D'India, Furio Zanazi, La Chimera was released on May 11, 2009. Since Le Musiche... a una e Due Voci,"Che Vegg'io Ohimè" - Libro IV is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Eduardo Eguez, La Chimera, Furio Zanasi's "La Voce Di Orfeo" album is number 17 out of 24. The popularity of Le Musiche... a una e Due Voci,"Che Vegg'io Ohimè" - Libro IV is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Musiche... a una e Due Voci,"Che Vegg'io Ohimè" - Libro IV by Sigismondo D'India, Furio Zanazi, La Chimera to be Vivace (lively and fast) because the track has a tempo of 169 BPM, a half-time of 84BPM, and a double-time of 338 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia-Suite No. 8 in D Major: I. Fantazia | William Lawes, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Lachrimae or Seven Tears: XVII. Mr Thomas Collier his Galliard with Two Trebles | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Missa Paschalis, ZWV 7: Gloria. Qui tollis | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | F♯ Minor | 2 | 11A | 128 BPM | ||
Première suite à 3 violes in D Major: No. 3, Courante | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Major | 2 | 3B | 111 BPM | ||
Missa Tu es Petrus: V, Agnus Dei | Orazio Benevoli, I Fagiolini, Robert Hollingworth, The City Musick | G Major | 1 | 9B | 96 BPM | ||
SV332: Si Dolce èl Tormento | Claudio Monteverdi, Musica Sequenza, BURAK, Diana Ramirez | F♯ Minor | 1 | 11A | 75 BPM | ||
J’ay mille fois pensé dans ma douce langueur | Bertrand de Bacilly, Les Musiciens De Saint-Julien, François Lazarevitch, Lucile Richardot | B♭ Major | 2 | 6B | 113 BPM | ||
2. Notenbüchlein für Anna Magdalena Bach: I. No. 41, Gedenke doch, mein Geist, zurücke, BWV 509 | Johann Sebastian Bach, Aki Matsui, Masaaki Suzuki, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Le musiche da cantar solo, Milan 1609: Piangono al pianger mio | Sigismondo D'India, Karim Sulayman, Jeannette Sorrell, Apollo's Fire | D Major | 0 | 10B | 172 BPM | ||
Dido and Aeneas, Z.626, Act II Scene 1, The Cave: But Ere We This Perform (Two Witches) | Henry Purcell, Les Argonautes, Jonas Descotte, Ana Vieira Leite, Julie Roset | F♯ Major | 1 | 2B | 84 BPM |
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