"Smetana: Memories of Bohemia in the Form of Polkas, Op. 13: No. 2 in E-Flat Major" by Bedřich Smetana, András Schiff was released on 1993. Smetana: Memories of Bohemia in the Form of Polkas, Op. 13: No. 2 in E-Flat Major is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. There are a total of 14 in the song's album "Smetana : Polkas op. 7,8,12 & 13 & Solo Pieces - Elatus". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Germany. Smetana: Memories of Bohemia in the Form of Polkas, Op. 13: No. 2 in E-Flat Major is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Smetana: Memories of Bohemia in the Form of Polkas, Op. 13: No. 2 in E-Flat Major by Bedřich Smetana, András Schiff having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 3 in A-Flat Major | John Field, Benjamin Frith | A♭ Major | 0 | 4B | 70 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM | ||
The Bartered Bride: ACT III, Principál, Esmeralda Milostné zvířátko | Bedřich Smetana, Jaroslav Březina, BBC Symphony Orchestra, Jiří Bělohlávek, Kateřina Kněžíková | D Major | 2 | 10B | 107 BPM | ||
Chaconne in sol maggiore : Variazione 10 | Lazar Berman | G Minor | 0 | 6A | 71 BPM | ||
String Quartet No. 1 in E minor "From my Life": 3. Largo sostenuto | Bedřich Smetana, Takács Quartet | A♭ Major | 0 | 4B | 174 BPM | ||
Piano Concerto in A Minor, Op. 7: Romanze: Andante non troppo con grazia | Clara Schumann, Francesco Nicolosi, Alma Mahler Sinfonietta, Stefania Rinaldi | G Minor | 7 | 6A | 100 BPM | ||
Prélude, fugue et variation in B Minor, Op. 18, FWV 30 (Arr. H. Bauer for Piano): II. Lento | César Franck, Jean-Pierre Armengaud | F♯ Major | 0 | 2B | 112 BPM | ||
6 Pezzi, P. 44: No. 1. Valse Caressante | Ottorino Respighi, Konstantin Scherbakov | E♭ Major | 1 | 5B | 70 BPM | ||
24 Preludes & Fugues, Op. 87: Prelude no.13 in F sharp minor. Moderato con moto | Dmitri Shostakovich, Alexander Melnikov | F♯ Major | 0 | 2B | 72 BPM |
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