"Estampes: III. Jardins sous la pluie" by Claude Debussy, François-Joël Thiollier was released on May 6, 1997. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 14 in Debussy: Piano Works, Vol. 3 by Claude Debussy, François-Joël Thiollier. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Estampes: III. Jardins sous la pluie is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Estampes: III. Jardins sous la pluie by Claude Debussy, François-Joël Thiollier is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tempo di valse in F-Sharp Minor, JS 194, "Lulu Waltz": Lulu Waltz | Jean Sibelius, Steven Isserlis, Stephen Hough | A Major | 0 | 11B | 88 BPM | ||
L'enfant prodigue: Duo: Heures fortunees !…et scene (Lia, Azael) | Claude Debussy, Guylaine Girard, Bernard Richter, Alain Buet, Brussels Philharmonic, Herve Niquet | B Major | 4 | 1B | 69 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Les Barricades mystérieuses | François Couperin, David Greilsammer | B♭ Major | 0 | 6B | 131 BPM | ||
Poulenc: Piano Concerto, FP 146: I. Allegretto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | G Minor | 1 | 6A | 130 BPM | ||
Child Falling Asleep, Op. 15 No. 12 (Arr. W. Newell for String Quartet) | Robert Schumann, The Solem Quartet, Amy Tress, William Newell, Stephen Upshaw, Stephanie Tress | E Major | 0 | 12B | 72 BPM | ||
Recueil de chants, Op. 65: No. 6, Barcarolle | Charles-Valentin Alkan, Bruce Liu | G Minor | 0 | 6A | 70 BPM | ||
La chûte de la maison Usher, L. 112, Scène 2 (Completed & Orchestrated by R. Orledge): Scene 2: Voyons, Roderick… (L'ami, Roderick) | Claude Debussy, Eugene Villanueva, William Dazeley, Göttinger Symphonie Orchester, Christoph-Mathias Mueller | E♭ Major | 1 | 5B | 36 BPM | ||
Kinderszenen, Op. 15: No. 7 in F Major, Träumerei | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 130 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 110 BPM |
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