"Piano Sonata No. 21 in B flat, D.960: III. Scherzo (Allegro vivace con delicatezza)" by Franz Schubert, Daniel Barenboim was released on January 1, 2014. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 41 in the song's album "Schubert: Piano Sonatas". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. In terms of popularity, Piano Sonata No. 21 in B flat, D.960: III. Scherzo (Allegro vivace con delicatezza) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Sonata No. 21 in B flat, D.960: III. Scherzo (Allegro vivace con delicatezza) by Franz Schubert, Daniel Barenboim having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonatina in C Major, Op. 36 No. 3: III. Allegro | Muzio Clementi, Howard Shelley | G Major | 1 | 9B | 76 BPM | ||
6 Bagatelles, Op. 97: No. 3: Kleiner Walzer | Jean Sibelius, Håvard Gimse | E Major | 1 | 12B | 83 BPM | ||
12 Etudes, L.136: 2. Pour les Tierces | Claude Debussy, Mitsuko Uchida | D♭ Major | 1 | 3B | 72 BPM | ||
Piano Trio No. 2 In E Flat Major, Op. 100, D. 929: II. Andante Con Moto | Stuttgart Piano Trio, Franz Schubert | C Minor | 0 | 5A | 100 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 2, Wanderlied | Bedřich Smetana, Jitka Čechová | A Major | 1 | 11B | 146 BPM | ||
Piano Trio in D Minor, Op. 120: I. Allegro, ma non troppo | Gabriel Fauré, Pierre Fouchenneret, Raphaël Merlin, Simon Zaoui | G Minor | 1 | 6A | 88 BPM | ||
6 Moments musicaux, Op. 16: No. 6, Maestoso | Sergei Rachmaninoff, Boris Giltburg | C Major | 1 | 8B | 70 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
Nocturne No. 3 in A-Flat Major | John Field, Benjamin Frith | A♭ Major | 0 | 4B | 70 BPM | ||
Dvořák: Cello Concerto in B Minor, Op. 104, B. 191: II. Adagio ma non troppo | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | G Major | 1 | 9B | 106 BPM |
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