"Vom ewigen Leben: No. 2, Das Gras" by Franz Schreker, Valda Wilson, Staatsphilharmonie Rheinland-Pfalz, Christopher Ward was released on November 2, 2018. Vom ewigen Leben: No. 2, Das Gras appears to be safe for all ages as it is not explicit. There are a total of 9 in the song's album "Schreker: Vom ewigen Leben & Phantastische Ouvertüre". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. In terms of popularity, Vom ewigen Leben: No. 2, Das Gras is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Vom ewigen Leben: No. 2, Das Gras by Franz Schreker, Valda Wilson, Staatsphilharmonie Rheinland-Pfalz, Christopher Ward having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | ||
Lamentate: Minacciando | Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester Stuttgart | C Major | 0 | 8B | 72 BPM | ||
Japanese Suite, Op. 33: II. Ceremonial Dance | Gustav Holst, Ulster Orchestra, Joann Falletta | D♭ Major | 1 | 3B | 108 BPM | ||
Ives: Set No. 3 for Chamber Orchestra: I. At Sea. Adagio sostenuto | Charles Ives, Ensemble Modern, Ingo Metzmacher | G Major | 0 | 9B | 95 BPM | ||
Love's Labour's Lost, Op. 28a: II. Longaville's Sonnet | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | D Minor | 0 | 7A | 94 BPM | ||
8 Lieder, Op. 7: No. 6, Ach, noch so jung | Franz Schreker, Steven Kimbrough, Martin Katz | D Minor | 1 | 7A | 83 BPM | ||
Sonate, Op. 71: II. Nocturne – Presque adagio | Charles Koechlin, Julien Hardy, Simon Zaoui | E♭ Major | 0 | 5B | 77 BPM | ||
Das Lied von der Erde: Der Einsame im Herbst | Gustav Mahler, Violeta Urmana, Wiener Philharmoniker, Pierre Boulez | B♭ Major | 0 | 6B | 134 BPM | ||
Sur L'herbe | Laurent Naouri, David Abramovitz, Maurice Ravel | F♯ Minor | 0 | 11A | 72 BPM | ||
Le tombeau de Couperin (version for orchestra): No. 3. Menuet | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | G Major | 0 | 9B | 86 BPM |
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