Roger Edens, Ethel Merman made "Anything Goes: You're the top (arr. R. Edens for voice and orchestra) -" available on February 1, 2015. With Anything Goes: You're the top (arr. R. Edens for voice and orchestra) - being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Roger Edens, Ethel Merman, Unknown Artist's "Mermania!, Vol. 2" album is number 12 out of 28. Anything Goes: You're the top (arr. R. Edens for voice and orchestra) - is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Anything Goes: You're the top (arr. R. Edens for voice and orchestra) - by Roger Edens, Ethel Merman to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pampas Moon | Jack Shaindlin | G Major | 4 | 9B | 134 BPM | ||
Move It | Jack Shaindlin | F Minor | 6 | 4A | 175 BPM | ||
Foolin' Myself | Billie Holiday, Billie Holiday Orchestra, Buck Clayton | A♭ Major | 3 | 4B | 145 BPM | ||
My Heart's Desire | Bert Lown | G Minor | 3 | 6A | 164 BPM | ||
Why don't we do this more often | Kay Kyser & His Orchestra, Kay Kyser | E♭ Major | 2 | 5B | 104 BPM | ||
Trouble in Tahiti - An Opera in Seven Scenes: Interlude:"Skid a lit day" | Leonard Bernstein | E Major | 1 | 12B | 149 BPM | ||
When My Dream Boat Comes Home | Bob Pope & His Orchestra | G Major | 1 | 9B | 77 BPM | ||
If You Were The Only Girl (In The World) | Violet Lorraine, George Robey | D♭ Major | 5 | 3B | 71 BPM | ||
There's No Business Like Show Business: After you get what you want (You don't want It) | Irving Berlin, Marilyn Monroe, Studio Chorus, Lionel Newman | F Major | 2 | 7B | 163 BPM | ||
In an 18th Century Drawing Room - 1942 Orchestral Version | Raymond Scott | B Major | 4 | 1B | 96 BPM |
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