Raymond Scott made "In an 18th Century Drawing Room - 1942 Orchestral Version" available on March 15, 2024. The duration of In an 18th Century Drawing Room - 1942 Orchestral Version is about 3 minutes long, at 3:00. Based on our data, "In an 18th Century Drawing Room - 1942 Orchestral Version" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Works for Orchestra, 1938–1957 (Vol. 3) by Raymond Scott. The song's track number on the album is #10 out of 20 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, In an 18th Century Drawing Room - 1942 Orchestral Version is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since In an 18th Century Drawing Room - 1942 Orchestral Version by Raymond Scott has a tempo of 96 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With In an 18th Century Drawing Room - 1942 Orchestral Version being at 96 BPM, the half-time would be 48 BPM with a double-time of 192 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
『彼岸花』メインタイトル (2013年 ニューデジタルリマスター映像より) | 斎藤高順 | A Major | 2 | 11B | 68 BPM | ||
Candlelight Serenade | Sam Fonteyn | B Major | 3 | 1B | 94 BPM | ||
Gioventu' di notte - Seq. 14 | Piero Piccioni | C Major | 5 | 8B | 80 BPM | ||
Wenn froh ein Lied erklingt | Hans Rehmstedt | A♭ Major | 5 | 4B | 110 BPM | ||
Piano Pops No 2 (Pt. 2) - 2003 Remaster | Russ Conway | F Major | 6 | 7B | 134 BPM | ||
In a 20th Century Accordion Parlor - 1940 | Raymond Scott, The Captivators | C Minor | 4 | 5A | 106 BPM | ||
Love Makes the World Go | Billy May & His Orchestra | C Major | 5 | 8B | 150 BPM | ||
At the Pool | Jack Shaindlin | A Major | 4 | 11B | 176 BPM | ||
Trevor Rodgers Theme | John Niland | A Major | 7 | 11B | 138 BPM | ||
Flippant Flirt | Ezea Jenkinson | C Major | 3 | 8B | 165 BPM |
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