Jean Paul Gilles Martini, Patrice Fontanarosa, Douglas Gamley, Sinfonia Of London's 'Plaisir D'amour' came out on October 21, 2013. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "The Enchanting Violin of Patrice Fontanarosa". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, Plaisir D'amour's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Plaisir D'amour by Jean Paul Gilles Martini, Patrice Fontanarosa, Douglas Gamley, Sinfonia Of London having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
鏡の踊り 歌劇「ファウスト」 バレエ音楽より | Charles Gounod, Tokyo Symphony Orchestra | G Major | 1 | 9B | 85 BPM | ||
Carmen Suite: VIII. Bolero (after G. Bizet): Changing of the Guard | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | G Major | 1 | 9B | 114 BPM | ||
Piano Concerto No. 21 in C Major, K. 467: II. Andante (Arranged for Violin & Orchestra) | Wolfgang Amadeus Mozart, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | F Major | 1 | 7B | 136 BPM | ||
Tormenta | João Marcondes, A Pequena Orquestra de Cordas | A Minor | 1 | 8A | 77 BPM | ||
For Ever, Polka schnell, Op. 193 | Josef Strauss, Slovak State Philharmonic Orchestra, Christian Pollack | G Major | 3 | 9B | 153 BPM | ||
The Merry Widow: Overture | Franz Lehár, Anton Niessner, Emmy Loose, Erich Kunz, Elisabeth Schwarzkopf, Nicolai Gedda, Otakar Kraus, Josef Schmidinger, Philharmonia Orchestra, Philharmonia Chorus, Otto Ackermann | C Major | 4 | 8B | 144 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII - Andante cantabile (Arr. By Stephen Buck) | Sergei Rachmaninoff, Daniel Röhn, Württembergisches Kammerorchester Heilbronn, Case Scaglione | D♭ Major | 2 | 3B | 84 BPM | ||
Toselli-Serenade | C. F. Orchester Richards | E Major | 3 | 12B | 82 BPM | ||
Voices of Spring | The New 101 Strings Orchestra | F Major | 1 | 7B | 183 BPM | ||
Vocalise | Sergei Rachmaninoff, London Cello Orchestra | E Minor | 1 | 9A | 89 BPM |
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