"Eugene Onegin, Op. 24: Lensky's Aria (Arr. for String Quartet by David Faber)" by Pyotr Ilyich Tchaikovsky, Dudok Quartet Amsterdam was released on April 26, 2024. With this song being about 5 minutes long, at 5:02, "Eugene Onegin, Op. 24: Lensky's Aria (Arr. for String Quartet by David Faber)" by Pyotr Ilyich Tchaikovsky, Dudok Quartet Amsterdam is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 9 in the song's album "Tchaikovsky: String Quartets, Vol. 1". In this album, this song's track order is #9. In terms of popularity, Eugene Onegin, Op. 24: Lensky's Aria (Arr. for String Quartet by David Faber) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Eugene Onegin, Op. 24: Lensky's Aria (Arr. for String Quartet by David Faber) by Pyotr Ilyich Tchaikovsky, Dudok Quartet Amsterdam having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso | Franz Liszt, Célia Oneto Bensaid, Debora Waldman, Orchestre National Avignon-Provence | F Minor | 1 | 4A | 116 BPM | ||
Variations on a Rococo Theme, Op. 33 (Arr. Malzew for Cello, Piano & 4 Saxophones): Var. 3. Andante sostenuto | Pyotr Ilyich Tchaikovsky, Alliage Quintett, Alban Gerhardt | A Major | 1 | 11B | 85 BPM | ||
Holberg Suite, Op. 40 (Version for Piano): I. Praeludium. Allegro vivace | Edvard Grieg, Andrey Gugnin | F♯ Major | 0 | 2B | 65 BPM | ||
Romance, Op. 69 | Gabriel Fauré, Bruno Philippe, Tanguy de Williencourt | A Major | 1 | 11B | 77 BPM | ||
String Quartet No. 9 in E-Flat Major, Op. 117: III. Allegretto | Dmitri Shostakovich, Carducci String Quartet | D♭ Major | 0 | 3B | 83 BPM | ||
Mozart, L: Toy Symphony: I. Allegro (Also Attributed to Haydn or Angerer) | Leopold Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 0 | 7B | 121 BPM | ||
Hold Fast to Dreams | Carlos Simon, Randall Goosby | C Minor | 3 | 5A | 76 BPM | ||
À la manière de Chabrier, M. 63/2 | Maurice Ravel, Steven Osborne | C Major | 0 | 8B | 73 BPM | ||
New Life Piano Sonata, Op. 99: II. Pesante | Fazıl Say | B♭ Major | 1 | 6B | 87 BPM | ||
Lieder Ohne Worte, Sechtes Heft, Op. 67 (Arr. for Violin and Piano by Ferdinand David): I. Andante | Felix Mendelssohn, Michael Barenboim, Natalia Pegarkova-Barenboim | G Major | 1 | 9B | 79 BPM |
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