"Puppet Ballet Suite: I. Prelude" by John Foulds, BBC Concert Orchestra, Ronald Corp was released on July 21, 2014. The duration of Puppet Ballet Suite: I. Prelude is about 3 minutes long, at 3:21. Based on our data, "Puppet Ballet Suite: I. Prelude" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in John Foulds, Ronald Corp, BBC Concert Orchestra's "John Foulds, Vol. 4" album is number 12 out of 18. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Puppet Ballet Suite: I. Prelude is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Puppet Ballet Suite: I. Prelude by John Foulds, BBC Concert Orchestra, Ronald Corp to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Quintet in E flat, Op. 44: 2. In modo d'una marcia (Un poco largamente) | Robert Schumann, Menahem Pressler, Emerson String Quartet | F Minor | 0 | 4A | 94 BPM | ||
交響曲第4番 ニ短調 op. 120: II. Romanze (Ziemlich langsam) | Robert Schumann, Max Pommer, 札幌交響楽団 | B Major | 0 | 1B | 101 BPM | ||
Études d'exécution transcendante, S. 139: No. 3 in F Major "Paysage" | Franz Liszt, Boris Giltburg | F Major | 0 | 7B | 88 BPM | ||
Piano Sonata in G Minor: 3. Scherzo | Clara Schumann, Isata Kanneh-Mason | G Major | 0 | 9B | 70 BPM | ||
The Gadfly, Op. 97 (Reconstructed by M. Fitz-Gerald): Youth | Dmitri Shostakovich, Nikolaus Boewer, Deutsche Staatsphilharmonie Rheinland-Pfalz, Mark Fitz-Gerald | G Major | 1 | 9B | 145 BPM | ||
Cello Concerto in B Minor, Op. 104: III. Allegro moderato. Original Ending | Antonín Dvořák, Steven Isserlis, Daniel Harding, Mahler Chamber Orchestra | B Major | 0 | 1B | 77 BPM | ||
Grandes études de Paganini, S. 141: No. 3, La campanella. Allegretto | Franz Liszt, Jackie Jaekyung Yoo | A♭ Minor | 2 | 1A | 91 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | ||
Schumann, Clara: Scherzo No. 2 in C Minor, Op. 14 | Clara Schumann, Sophie Pacini | A♭ Major | 2 | 4B | 78 BPM | ||
Serenade for Strings in C Major, Op. 48, TH 48: III. Elegia | Pyotr Ilyich Tchaikovsky, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM |
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