Georg Philipp Telemann, Ensemble Symposium made "Trio Sonata, TWV 42:D7 Sunday: Introduzione settima. Largo - Presto - Largo" available on January 6, 2017. With Trio Sonata, TWV 42:D7 Sunday: Introduzione settima. Largo - Presto - Largo being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 249 in the song's album "Telemann Collection". In this album, this song's track order is #193. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Trio Sonata, TWV 42:D7 Sunday: Introduzione settima. Largo - Presto - Largo is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Trio Sonata, TWV 42:D7 Sunday: Introduzione settima. Largo - Presto - Largo by Georg Philipp Telemann, Ensemble Symposium having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Telemann: Concerto for Four Violins in G Major, TWV 40:201: IV. Vivace | Georg Philipp Telemann, Nikolaus Harnoncourt, Alice Harnoncourt, Kurt Theiner, Peter Schoberwalter, Walter Pfeiffer, Concentus Musicus Wien | D Major | 0 | 10B | 85 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": II. Moderato e dolce | William Boyce, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 80 BPM | ||
Mozart: Divertimento in F Major, K. 138 "Salzburg Symphony No. 3": II. Andante | Wolfgang Amadeus Mozart, Amsterdam Baroque Orchestra, Ton Koopman | B Major | 1 | 1B | 78 BPM | ||
Telemann: Essercizii musici, Trio Sonata No. 6 for Flute, Viola da gamba and Continuo in B Minor, TWV 42:h4: I. Largo | Georg Philipp Telemann, Ton Koopman, Wilbert Hazelzet, Marc Vallon, Jaap Ter Linden | D Minor | 0 | 7A | 82 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
Suite From Abdelzar: II. Air | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Major | 2 | 2B | 92 BPM | ||
Symphony in C Major, Op. 1, No. 6, (Callen 6): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 2 | 9B | 143 BPM | ||
Water Music, Suite No. 2, HWV 349: Water Music, Suite No. 2, HWV 349: XI. [Allegro] | George Frideric Handel, Akademie für Alte Musik Berlin | D♭ Major | 2 | 3B | 121 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : V. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | B Minor | 1 | 10A | 87 BPM | ||
Flute Sonata in E Minor: III. Presto | Frederick the Great, Berliner Barock Compagney | A♭ Minor | 1 | 1A | 128 BPM |
Section: 0.751063346862793
End: 0.7567181587219238