"Se per avervi, ohime, donato il core" by Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini had its release date on February 20, 2003. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini's "Monteverdi, C.: Madrigals, Book 1 (Il Primo Libro De Madrigali, 1587) and Secular Manuscript Works" album is number 2 out of 26. On top of that, Hong Kong appears to be the country where this track was created. Se per avervi, ohime, donato il core is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Se per avervi, ohime, donato il core by Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sestina (Lagrime D'Amante Al Sepolcro Dell'Amata): III. Dara la notte il sol | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini | A Minor | 1 | 8A | 81 BPM | ||
Geistliche Chor-Music, Op. 11: No. 23, Selig sind die Toten, SWV 281 | Heinrich Schütz, The Cambridge Singers, Mark Williams, John Rutter | G Major | 1 | 9B | 129 BPM | ||
Bergamasca | Giovanni Girolamo Kapsberger, Marco Uccellini, Claudio Monteverdi, Constantinople | D Major | 2 | 10B | 123 BPM | ||
Cor mio, mentre vi miro | Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini | C Minor | 1 | 5A | 133 BPM | ||
Gott hilf mir, denn das Wasser geht mir bis an die Seele, BuxWV 34: III. Fürchte dich Nicht! | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Ensemble Masques, Olivier Fortin | E♭ Major | 2 | 5B | 123 BPM | ||
Falconieri / Orch Tufvesson: Il primo libro di canzone, sinfonie, fantasie: XV. Passacalle (Orch. Tufvesson) | Andrea Falconieri, Nathalie Stutzmann, Orfeo 55 | F♯ Minor | 3 | 11A | 118 BPM | ||
Plaude laetere: Symphonie | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | B Major | 1 | 1B | 104 BPM | ||
Herr, wenn ich nur dich habe, SWV 280 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 85 BPM | ||
Cantus Caravaggio I (Jordi Savall) | Jordi Savall, Hespèrion XXI | G Minor | 0 | 6A | 95 BPM | ||
Canzoni et sonate: Sonata No. 13 (arr. E. Crees for brass) | Giovanni Gabrieli, Eric Crees, London Symphony Brass | G Minor | 0 | 6A | 97 BPM |