"Freue dich des Weibes deiner Jugend" by Johann Hermann Schein, Dresdner Kammerchor, Hans-Christoph Rademann was released on August 7, 2012. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 26 in the song's album "Schein: Israelsbrunnlein". In this album, this song's track order is #2. Freue dich des Weibes deiner Jugend is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Freue dich des Weibes deiner Jugend by Johann Hermann Schein, Dresdner Kammerchor, Hans-Christoph Rademann having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saltarello El Marchese di Saluzzo | Anonymous, Into the Winds | F Minor | 3 | 4A | 127 BPM | ||
Ich ruf zu dir, Herr Jesu Christ | Johann Hermann Schein, Fiamma & Foco | A Minor | 1 | 8A | 72 BPM | ||
Stabat Mater in G Minor: III. Quis est homo | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | D♭ Minor | 1 | 12A | 86 BPM | ||
Messa a quattro voci, SV 190: VI. Agnus dei | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM | ||
Tu solus qui facis mirabilia: I. Prima pars | Josquin des Prez, Odhecaton, Paolo da Col | G Minor | 0 | 6A | 103 BPM | ||
La nuict froide & sombre | Orlande de Lassus, Ensemble Clément Janequin, Dominique Visse | D♭ Minor | 0 | 12A | 132 BPM | ||
Musica boscareccia: Der edle Schafer Coridon | Johann Hermann Schein, Christine-Maria Rembeck, Julla von Landsberg, United Continuo Ensemble, Thor-Harald Johnsen | F♯ Major | 2 | 2B | 66 BPM | ||
Te lucis ante terminum I | Thomas Tallis, Owain Park, The Gesualdo Six | A♭ Minor | 0 | 1A | 95 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Vieni a' regni del riposo" (Coro) | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore Choir, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Allein Gott in der Höh sey Ehr, SwWV 299: IV. Variation IV | Jan Pieterszoon Sweelinck, Gustav Auzinger | D Major | 1 | 10B | 176 BPM |
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