Anonymous, Domenico Scarlatti, Aladar Racz, Yvonne Racz Barblan's ' "Keyboard Sonata in F-Sharp Minor, K.25/L.481/P.81 (arr. for cimbalom and piano)" was released on its scheduled release date, January 1, 2015. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "The Classic of the Cimbalom". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Hungary. Keyboard Sonata in F-Sharp Minor, K.25/L.481/P.81 (arr. for cimbalom and piano) is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Keyboard Sonata in F-Sharp Minor, K.25/L.481/P.81 (arr. for cimbalom and piano) by Anonymous, Domenico Scarlatti, Aladar Racz, Yvonne Racz Barblan having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Can vei la lauzeta mover | Bernat De Ventadorn, Millenarium | D Major | 1 | 10B | 185 BPM | ||
Collectio: Veneranda nobis | Guillaume de Machaut, Dominique Vellard | D Minor | 1 | 7A | 99 BPM | ||
Pre-Eternal Counsel | Men's Choir of the Valaam Singing Culture Institute | E♭ Minor | 1 | 2A | 140 BPM | ||
Amen, Allelulia | State Symphony Cappella | D♭ Major | 1 | 3B | 68 BPM | ||
3 extraits de la Messe des Morts: Pie Jesu | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | C Minor | 1 | 5A | 82 BPM | ||
Resonemus hoc natali | Anon. St. Martial, Anonymous, Theatre Of Voices, Paul Hillier | F♯ Minor | 1 | 11A | 187 BPM | ||
Memorare | The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr | F Major | 0 | 7B | 131 BPM | ||
Viderunt omnes No. 2: ...salutare suum ante conspectum gentium revelavit... | Léonin, Tonus Peregrinus, Antony Pitts | D♭ Major | 1 | 3B | 70 BPM | ||
Messe de la toussaint : Kyrie iii | Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan, Dom Gaston le Nézet | F Minor | 0 | 4A | 127 BPM | ||
De Ore Leonis | Monks Of The Abbey Of Notre Dame | G Major | 0 | 9B | 141 BPM |