- BPM
- 129
- Key
- E Major
- Camelot
- 12B
Coppélia: Act II: Valse de la poupee - Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia Information
- Acousticness
- 90%
- Danceability
- 35%
- Energy
- 13%
- Instrumentalness
- 90%
- Liveness
- 9%
- Loudness
- 63%
- Speechiness
- 4%
- Valence
- 12%
- Popularity
- 1%
- Loudness
- -22.284 dB
Summary
"Coppélia: Act II: Valse de la poupee" by Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia was released on August 27, 1997. The duration of Coppélia: Act II: Valse de la poupee is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Coppélia: Act II: Valse de la poupee's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 25 in French Ballet Favourites by Richard Hayman, Ondrej Lenard, Andrew Mogrelia. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Coppélia: Act II: Valse de la poupee's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Coppélia: Act II: Valse de la poupee BPM
The tempo marking of Coppélia: Act II: Valse de la poupee by Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Coppélia: Act II: Valse de la poupee Key
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 3 Nouvelles etudes, Op. posth.: II. Etude No. 26 in A-Flat Major | Frédéric Chopin, Idil Biret | A♭ Major | 0 | 4B | 74 BPM | |
 | Variations on an Original Theme, Op. 36, "Enigma": Enigma | Edward Elgar, Bournemouth Symphony Orchestra, George Hurst | C Major | 5 | 8B | 132 BPM | |
 | 4 Impromptus, Op. 90, D.899: No. 4 in A Flat Major: Allegretto | Franz Schubert, Radu Lupu | A♭ Major | 0 | 4B | 125 BPM | |
 | Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 3 | 9B | 150 BPM | |
 | 21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 5 (orch. Schmeling) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 1 | 6A | 144 BPM | |
 | Suite No. 3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 1 | 10B | 89 BPM | |
 | Cello Concerto No. 1 in C Major, Hob. VIIb:1: II. Adagio | Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | F Major | 1 | 7B | 62 BPM | |
 | Waltz No. 10 in B Minor, Op. 69, No. 2 | Frédéric Chopin, Idil Biret | B Minor | 0 | 10A | 155 BPM | |
 | Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 1, Allegro moderato | Antonín Dvořák, Renaud Capuçon, Khatia Buniatishvili | B♭ Major | 1 | 6B | 107 BPM | |
 | Mendelssohn: 6 Lieder ohne Worte, Book 6, Op. 67: II. Allegro leggiero | Felix Mendelssohn, Leif Ove Andsnes | F♯ Minor | 1 | 11A | 182 BPM |
- ISRC
- HKI199632407
- Label
- L-M Records/RCA Records
Section: 0.6807754039764404
End: 0.6845827102661133