Riccardo Drigo, Alessio De Franzoni made "Pliè" available on August 19, 2019. With Pliè being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "Piano Music for the Ballet Lesson 7: Ballet's Music selection for Pointes and Repertoire". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Italy. Based on our statistics, Pliè's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Pliè by Riccardo Drigo, Alessio De Franzoni having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Minuet (Tendus- Slow from 1st, Barre Technique) | David Howard, Douglas Corbin | E♭ Major | 0 | 5B | 104 BPM | ||
Swan Lake - Waltz | London Philharmonic Orchestra | A Major | 1 | 11B | 76 BPM | ||
Le Corsaire: Pas de deux (arr. J. Lanchberry): III. Moderato: Women's Variation | Ludwig Minkus, Riccardo Drigo, John Lanchbery, Sofia National Opera Orchestra, Boris Spassov | G Major | 1 | 9B | 101 BPM | ||
The Four Seasons - Autumn in F Major, RV. 293: I. Allegro – Larghetto – Allegro assai/molto | Antonio Vivaldi, Adrian Chandler, La Serenissima | F Major | 2 | 7B | 85 BPM | ||
Ballet Suite No. 1 (arr. L. Atovmyan): V. Waltz - Scherzo/ Valse-plaisanterie | Lev Atovmyan, Dmitri Shostakovich, Vancouver Symphony Orchestra, Bramwell Tovey | F♯ Major | 3 | 2B | 112 BPM | ||
Petite suite de concert, Op. 77: III. Un sonnet d'amour | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | A Major | 0 | 11B | 71 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Paquita: Variation 2: Tempo di valse (by Pouni) | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | E Major | 1 | 12B | 88 BPM | ||
Louisa's Polka (orch. I. Krejci) | Bedřich Smetana, Slovak Radio Symphony Orchestra, Robert Stankovsky | E♭ Major | 0 | 5B | 85 BPM | ||
Pirouette 1 - Black Swan Pas De Deux | Christopher N Hobson | D Major | 3 | 10B | 162 BPM |
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