"Antiche danze ed arie per liuto, Suite III, P. 172: 4. Passacaglia. Maestoso - Vivace" by Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1996. With this song being about 5 minutes long, at 4:54, "Antiche danze ed arie per liuto, Suite III, P. 172: 4. Passacaglia. Maestoso - Vivace" by Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 18 in the song's album "Respighi: The Fountains of Rome; The Pines of Rome; Ancient Airs and Dances - Suite III / Boccherini: Quintettino / Albinoni: Adagio in G Minor". In this album, this song's track order is #12. In terms of popularity, Antiche danze ed arie per liuto, Suite III, P. 172: 4. Passacaglia. Maestoso - Vivace is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Antiche danze ed arie per liuto, Suite III, P. 172: 4. Passacaglia. Maestoso - Vivace by Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | ||
Serenade For Strings In E, Op. 22, B. 52: 1. Moderato | Antonín Dvořák, Berliner Philharmoniker, Herbert von Karajan | A Minor | 1 | 8A | 144 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: III. Moderato - | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | A♭ Major | 1 | 4B | 149 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto - Un pochettino largamente | Jean Sibelius, Herbert von Karajan, Philharmonia Orchestra | A♭ Major | 1 | 4B | 79 BPM | ||
Das Rheingold, WWV 86A: Vorspiel | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 68 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
Symhonie fantastique Op. 14: Songe d'une nuit de sabbat | Berliner Philharmoniker, Rudolf Kempe | G Minor | 3 | 6A | 110 BPM | ||
Peer Gynt Suite No.2, Op.55: 3. Peer Gynt's Return | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 69 BPM | ||
Debussy: La Mer, CD 111, L. 109: II. Jeux de vagues | Claude Debussy, Sir Simon Rattle, Berliner Philharmoniker | F♯ Major | 1 | 2B | 114 BPM | ||
Symphony No.9 In E Minor, Op.95, B.178 - "From The New World": 3. Scherzo (Molto vivace) | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | E Minor | 1 | 9A | 125 BPM |
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