José Jackson Veyán, Emilio Gonzalez Del Castillo, Pablo Luna, Marcos Redondo's 'Los Calabreses, Acto I: Su Silueta Veo Allí....Signorina, Signorina (Serenata) - Remastered' came out on March 31, 2014. The duration of Los Calabreses, Acto I: Su Silueta Veo Allí....Signorina, Signorina (Serenata) - Remastered is about 3 minutes long, at 3:07. Based on our data, "Los Calabreses, Acto I: Su Silueta Veo Allí....Signorina, Signorina (Serenata) - Remastered" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 34 in El Divo by Marcos Redondo. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Los Calabreses, Acto I: Su Silueta Veo Allí....Signorina, Signorina (Serenata) - Remastered is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Los Calabreses, Acto I: Su Silueta Veo Allí....Signorina, Signorina (Serenata) - Remastered by José Jackson Veyán, Emilio Gonzalez Del Castillo, Pablo Luna, Marcos Redondo is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chateau Margaux: "Preludio" - Remastered | Manuel Fernandez Caballero, José Jackson Veyán, Gran Orquesta Sinfonica, Nicasio Tejada | E Major | 3 | 12B | 105 BPM | ||
Tierras Llanas (De Castilla) | Orquesta de Conciertos de Madrid, Tomás Palomino, Victorino Echevarría, Coro Cantores de Madrid, Julian Perera, Rondalla Popular de Madrid | C Major | 2 | 8B | 106 BPM | ||
Traner | Banda SMI Santa Cecilia de Cullera | F Major | 2 | 7B | 92 BPM | ||
Aprieta Bien el Cántaro - Remastered | Jesús Gracia, Piedad Gil, Rondalla Santamaría, Florencio Santamaría | A Major | 5 | 11B | 189 BPM | ||
Kontrapas | Tolosako Banda Munizipala | B♭ Major | 4 | 6B | 120 BPM | ||
El Barquillero: "Mi ofisio es el ofisio más desahogao (Pepillo y Melgares)" - Remastered | Ruperto Chapí, Jose Lopez Silva, José Jackson Veyán, Carlos Munguia, Juan De Andia, Ataúlfo Argenta, Gran Orquesta Sinfonica | C Major | 3 | 8B | 96 BPM | ||
Molinos de Viento: Concertante | Marcos Redondo, Delfín Pulido, Felisa Herrero | E Major | 2 | 12B | 77 BPM | ||
Fandango Colonial | Banda Clásica de Oaxaca (DF) | G Minor | 3 | 6A | 105 BPM | ||
Les Pêcheurs de perles: Ce sont eux, les voici! (Zurga, Nadir, Leïla, Nourabad, Chieftains) | Georges Bizet, Ernest Blanc, Nicolai Gedda, Janine Micheau, Jacques Mars, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | C Minor | 1 | 5A | 72 BPM | ||
The Merry Widow / Act 1: Duet: Proceed. One girl has almond eyes | Franz Lehár, Werner Krenn, Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | A Major | 2 | 11B | 95 BPM |
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