André Messager, Bournemouth Symphony Orchestra, John Lanchbery's 'The Two Pigeons - Ballet in two acts, Act II, Scene 1 "A gypsy encampment": Hungarian Dance (Allegretto pesante) - 1984 Digital Remaster' came out on June 2, 2008. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 100 Best Ballet, so we believe that "The Two Pigeons - Ballet in two acts, Act II, Scene 1 "A gypsy encampment": Hungarian Dance (Allegretto pesante) - 1984 Digital Remaster" is a single. Based on our statistics, The Two Pigeons - Ballet in two acts, Act II, Scene 1 "A gypsy encampment": Hungarian Dance (Allegretto pesante) - 1984 Digital Remaster's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Two Pigeons - Ballet in two acts, Act II, Scene 1 "A gypsy encampment": Hungarian Dance (Allegretto pesante) - 1984 Digital Remaster by André Messager, Bournemouth Symphony Orchestra, John Lanchbery is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fünf Lieder: Die Stille Stadt | Alma Mahler, Barbara Hannigan, Reinbert de Leeuw | D Major | 0 | 10B | 62 BPM | ||
Bach, JS / Arr. Paillard: Erbarm dich mein, o Herre Gott, BWV 721 | Johann Sebastian Bach, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | B Minor | 0 | 10A | 75 BPM | ||
Les Contes d'Hoffmann / Act 1: Les oiseaux dans la charmille | Jacques Offenbach, Dame Joan Sutherland, Jacques Charon, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | A♭ Major | 1 | 4B | 136 BPM | ||
Othello, Op. 79: III. Willow Song | Samuel Coleridge-Taylor, RTE Concert Orchestra, Adrian Leaper | A♭ Major | 0 | 4B | 73 BPM | ||
Rossini: Stabat Mater: I. Stabat Mater dolorosa (Soprano, Mezzo-soprano, Tenor, Bass, Chorus) | Gioachino Rossini, Anna Netrebko, Joyce DiDonato, Lawrence Brownlee, Ildebrando D'Arcangelo, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Coro dell'Accademia Nazionale Di Santa Cecilia, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Minor | 0 | 6A | 139 BPM | ||
Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM | ||
Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
The Gadfly, Op. 97 (Reconstructed by M. Fitz-Gerald): Youth | Dmitri Shostakovich, Nikolaus Boewer, Deutsche Staatsphilharmonie Rheinland-Pfalz, Mark Fitz-Gerald | G Major | 1 | 9B | 145 BPM | ||
Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 3, Song with Chorus. "You Spotted Snakes" | Felix Mendelssohn, Lillian Watson/Delia Wallis/Finchley Children's Music Group/London Symphony Orchestra/André Previn, Delia Wallis, Finchley Children's Music Group, Lillian Watson, André Previn, London Symphony Orchestra | A Major | 1 | 11B | 88 BPM | ||
Third Movement Moderate Pesante | Sir Adrian Boult, Vaughan Williams, London Philharmonic Orchestra | G Minor | 1 | 6A | 79 BPM |
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