Wolfgang Amadeus Mozart, Franco Gulli, Giuliano Carmignola, Orchestra Mozart, Claudio Abbado's 'Violin Concerto No. 5 In A, K.219: 2. Adagio' came out on January 1, 2008. Since Violin Concerto No. 5 In A, K.219: 2. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Franco Gulli, Giuliano Carmignola, Orchestra Mozart, Claudio Abbado's "Mozart: The Violin Concertos; Sinfonia Concertante" album is number 5 out of 18. On top of that, Germany appears to be the country where this track was created. Violin Concerto No. 5 In A, K.219: 2. Adagio is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Violin Concerto No. 5 In A, K.219: 2. Adagio by Wolfgang Amadeus Mozart, Franco Gulli, Giuliano Carmignola, Orchestra Mozart, Claudio Abbado to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Violin Concerto No. 2 in D Major, K. 211: 1. Allegro moderato | Wolfgang Amadeus Mozart, Erik Smith, Henryk Szeryng, New Philharmonia Orchestra, Alexander Gibson | E Minor | 3 | 9A | 95 BPM | ||
Piano Sonata in E minor, H.XVI No.34: 3. Vivace molto, innocentemente | Franz Joseph Haydn, Alfred Brendel | E Major | 1 | 12B | 122 BPM | ||
Violin Concerto No. 4 in D Major, K. 218: 1. Allegro | Wolfgang Amadeus Mozart, Henryk Szeryng, New Philharmonia Orchestra, Alexander Gibson | D Major | 2 | 10B | 121 BPM | ||
Piano Sonata No. 14 In C Minor, K. 457: III. Allegro Assai | Jenő Jandó, Wolfgang Amadeus Mozart | C Minor | 1 | 5A | 78 BPM | ||
Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | F Major | 0 | 7B | 100 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Rage Over A Lost Penny, Op. 129 | Valentina Lisitsa | G Major | 2 | 9B | 80 BPM |
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