Igor Stravinsky, Fernand Oubradous, Georges Alès, Henri Moreau, Marcel Galiègue, Paul Hongne, Philippe Lefebvre, Roger Delmotte made "Stravinsky: L'histoire du soldat, Pt. 2, Scene 3: Petit choral" available on January 1, 1953. With Stravinsky: L'histoire du soldat, Pt. 2, Scene 3: Petit choral being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 13 in the song's album "Stravinsky: L'histoire du soldat". In this album, this song's track order is #10. Furthermore, we believe that the track originated from France. Based on our statistics, Stravinsky: L'histoire du soldat, Pt. 2, Scene 3: Petit choral's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Stravinsky: L'histoire du soldat, Pt. 2, Scene 3: Petit choral by Igor Stravinsky, Fernand Oubradous, Georges Alès, Henri Moreau, Marcel Galiègue, Paul Hongne, Philippe Lefebvre, Roger Delmotte having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.1 in E Major, Op. 26: I. Lento | Alexander Scriabin, London Symphony Orchestra, Valery Gergiev | E♭ Major | 2 | 5B | 139 BPM | ||
Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: IV. Finale (Allegro con fuoco) | Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas | F Minor | 4 | 4A | 80 BPM | ||
Pines Of Rome, P. 141: 2. The Pines Near A Catacomb | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | E Minor | 0 | 9A | 79 BPM | ||
Schoenberg: 6 Little Piano Pieces, Op. 19: No. 1 Leicht, zart | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | A Minor | 0 | 8A | 69 BPM | ||
Symphony No. 7 in A Major, Op. 92: III. Presto. Trio I und II. Assai meno presto | Ludwig van Beethoven, Berliner Philharmoniker, Kirill Petrenko | D Major | 2 | 10B | 105 BPM | ||
Stravinsky: The Rite of Spring, Pt. 2 "The Sacrifice": Sacrificial Dance | Igor Stravinsky, Riccardo Muti, Philadelphia Orchestra | G Minor | 5 | 6A | 132 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, musicAeterna | D Major | 2 | 10B | 66 BPM | ||
Symphony in F Major, Op. 8, "The Cotswolds": II. Elegy: Molto adagio (In Memoriam William Morris) | Gustav Holst, Ulster Orchestra, Joann Falletta | G Major | 1 | 9B | 133 BPM | ||
Czech Suite in D Major, Op. 39, B. 93: IV. Romanza. Andante con moto | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | G Major | 1 | 9B | 142 BPM |
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