"Cantata No. 106, 'Gottes Zeit ist die allerbeste Zeit' BWV106: Sonatina" by Johann Sebastian Bach, Wolfgang Gönnenwein/Edith Mathis/Sybil Michelow/Franz Crass/Theo Altmeyer/Süddeutscher Madrigalchor/Consortium Musicum, Wolfgang Gönnenwein was released on 2006. The duration of Cantata No. 106, 'Gottes Zeit ist die allerbeste Zeit' BWV106: Sonatina is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Cantata No. 106, 'Gottes Zeit ist die allerbeste Zeit' BWV106: Sonatina's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 100 in Alle 100 Goed: Bach by Johann Sebastian Bach, Various Artists. Based on our statistics, Cantata No. 106, 'Gottes Zeit ist die allerbeste Zeit' BWV106: Sonatina's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cantata No. 106, 'Gottes Zeit ist die allerbeste Zeit' BWV106: Sonatina by Johann Sebastian Bach, Wolfgang Gönnenwein/Edith Mathis/Sybil Michelow/Franz Crass/Theo Altmeyer/Süddeutscher Madrigalchor/Consortium Musicum, Wolfgang Gönnenwein is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Serenade for Strings in C major, Op. 48: II. Walzer: Moderato, tempo di valse | Pyotr Ilyich Tchaikovsky, Moscow Soloists, Yuri Bashmet | G Major | 1 | 9B | 66 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
The Wounded Heart, Op. 34, No. 1 (From "Elegiac Melodies") | Edvard Grieg, Yo-Yo Ma, Kathryn Stott | G Major | 1 | 9B | 81 BPM | ||
Concerto in A Minor for Flute and Strings: I. Allegro | Michel Blavet, Dorothee Oberlinger | A♭ Minor | 2 | 1A | 116 BPM | ||
6 Moments musicaux, Op. 94, D. 780: No. 3 Allegro moderato | Lang Lang | F Minor | 1 | 4A | 128 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
Chopin: Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Gautier Capuçon, Yuja Wang | G Major | 1 | 9B | 75 BPM | ||
Goldberg Variations, BWV 988: Var. 1 | Johann Sebastian Bach, Murray Perahia | G Major | 3 | 9B | 106 BPM | ||
Matthäus-Passion: Erster Teil, 1. Chorus I & II Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs | E♭ Minor | 3 | 2A | 77 BPM |
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