"I Lombardi alla prima crociata, Act I Scene 6: Tutta tremante ancor l'anima io sento - Live" by Giuseppe Verdi, Ivan Repušić, Nino Machaidze, Réka Kristóf, Galeano Salas, Munich Radio Orchestra was released on November 3, 2023. The duration of I Lombardi alla prima crociata, Act I Scene 6: Tutta tremante ancor l'anima io sento - Live is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. I Lombardi alla prima crociata, Act I Scene 6: Tutta tremante ancor l'anima io sento - Live's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: I Lombardi alla prima crociata (Live) by Giuseppe Verdi, Nino Machaidze, Ivan Repušić, Réka Kristóf, Piero Pretti, Galeano Salas, Miklós Sebestyén, Michele Pertusi, Munich Radio Orchestra. The song's track number on the album is #10 out of 39 tracks. Based on our data, Germany was the country where this track was produced or recorded. I Lombardi alla prima crociata, Act I Scene 6: Tutta tremante ancor l'anima io sento - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since I Lombardi alla prima crociata, Act I Scene 6: Tutta tremante ancor l'anima io sento - Live by Giuseppe Verdi, Ivan Repušić, Nino Machaidze, Réka Kristóf, Galeano Salas, Munich Radio Orchestra has a tempo of 67 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With I Lombardi alla prima crociata, Act I Scene 6: Tutta tremante ancor l'anima io sento - Live being at 67 BPM, the half-time would be 34 BPM with a double-time of 134 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Faust, CG 4 / Act 3: "Quel trouble inconnu...Salut! Demeure chaste et pure" | Charles Gounod, Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | A♭ Major | 2 | 4B | 174 BPM | ||
La Bohème: Mi chiamano Mimi | Mirella Freni | D Major | 2 | 10B | 74 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act 3: Polonaise | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine | G Major | 3 | 9B | 203 BPM | ||
La Favorita / Act 4: Spirto gentil, de' sogni miei | Gaetano Donizetti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | C Major | 2 | 8B | 66 BPM | ||
Otello, Act I: Act I: Fuoco di gioia! (Chorus) | Giuseppe Verdi, Oviedo Filarmonía, Orfeon Donostiarra, Los Peques del León de Oro, Friedrich Haider | E Minor | 0 | 9A | 172 BPM | ||
Puccini: La bohème, Act 1: "Sì. mi chiamano Mimì" (Mimì/Rodolfo) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | D Major | 1 | 10B | 78 BPM | ||
La Traviata, Act I: È strano | Giuseppe Verdi, Lisette Oropesa, René Barbera, Daniel Oren, Dresdner Philharmonie | F Minor | 0 | 4A | 68 BPM | ||
Carmen (1997 - Remaster), Act IV: Les voici! voici la quadrille! | Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D Major | 3 | 10B | 126 BPM | ||
Turandot: Tu, che di gel sei cinta | Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri | B Major | 2 | 1B | 87 BPM | ||
Carmen Suite No. 1: 5. Les toréadors | Georges Bizet, Orchestre de Paris, Semyon Bychkov | F Major | 4 | 7B | 127 BPM |
Section: 0.659775972366333
End: 0.664564847946167