François Couperin, Jean-François Paillard, Orchestre de chambre Jean-François Paillard made "Couperin, F: Les goûts-réünis, Grande sonate "Le Parnasse ou L'apothéose de Corelli": VII. Remerciement de Corelli" available on January 1, 1959. The duration of Couperin, F: Les goûts-réünis, Grande sonate "Le Parnasse ou L'apothéose de Corelli": VII. Remerciement de Corelli is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Couperin, F: Les goûts-réünis, Grande sonate "Le Parnasse ou L'apothéose de Corelli": VII. Remerciement de Corelli's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 19 in Concert français. Pièces de Couperin, Aubert & Dauvergne by Jean-François Paillard, Orchestre de chambre Jean-François Paillard. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Couperin, F: Les goûts-réünis, Grande sonate "Le Parnasse ou L'apothéose de Corelli": VII. Remerciement de Corelli is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Couperin, F: Les goûts-réünis, Grande sonate "Le Parnasse ou L'apothéose de Corelli": VII. Remerciement de Corelli by François Couperin, Jean-François Paillard, Orchestre de chambre Jean-François Paillard is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 13 in D Minor | John Field, Benjamin Frith | F Major | 1 | 7B | 69 BPM | ||
Concerto for violoncello piccolo in G Major, RV. 414: II. Largo | Antonio Vivaldi, Ophélie Gaillard, Pulcinella Orchestra | E♭ Minor | 2 | 2A | 99 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
24 Préludes, Op.28: 15. In D Flat Major | Frédéric Chopin, Martha Argerich | D♭ Major | 0 | 3B | 95 BPM | ||
Overture (Suite) in B-Flat Major, TWV 55:B2: Aria IV: Sarabande | Georg Philipp Telemann, La Stagione Frankfurt, Michael Schneider | A Major | 1 | 11B | 98 BPM | ||
Couperin, F: Second Livre de pièces de clavecin, Sixième Ordre: Les baricades mïstérieuses | François Couperin, Jean Rondeau | A Major | 1 | 11B | 145 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172 | Franz Liszt, Lang Lang | D♭ Major | 0 | 3B | 74 BPM | ||
Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | E♭ Minor | 0 | 2A | 83 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM |
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