"Un segno nello spazio: La sublimazione dello spazio. Scarno, come un automa" by Marco Stroppa, Ensemble KNM Berlin was released on September 21, 2018. Un segno nello spazio: La sublimazione dello spazio. Scarno, come un automa appears to be safe for all ages as it is not explicit. The track order of this song in Marco Stroppa, Ensemble KNM Berlin's "Marco Stroppa: Space" album is number 9 out of 16. On top of that, Germany appears to be the country where this track was created. The popularity of Un segno nello spazio: La sublimazione dello spazio. Scarno, come un automa is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Un segno nello spazio: La sublimazione dello spazio. Scarno, come un automa by Marco Stroppa, Ensemble KNM Berlin to be Presto (very, very fast) because the track has a tempo of 178 BPM, a half-time of 89BPM, and a double-time of 356 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cage: Mysterious Adventure | John Cage, Bertrand Chamayou | F Major | 2 | 7B | 111 BPM | ||
Prelude I: (The Seasons, Ballet In One Act 1947) | John Cage | B♭ Major | 0 | 6B | 79 BPM | ||
For Us | Isobell Makkar | D♭ Major | 0 | 3B | 73 BPM | ||
Piano Concerto: III. Charleston. Allegro vivace | Jaroslav Ježek, Czech Radio Symphony Orchestra, Jaromír Nohejl, Jan Novotný | C Major | 3 | 8B | 102 BPM | ||
Serenade: IV. Agathon. Adagio | Leonard Bernstein, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 2 | 9B | 83 BPM | ||
String Quartet No. 10, Op. 118: III. Adagio | Dmitri Shostakovich, Tiziano Baviera, Alberto Franchin, Sara Dambruoso, Tommaso Tesini, Quartetto Noûs | A Major | 1 | 11B | 122 BPM | ||
Dancing Shades: VI | Therese Birkelund Ulvo, Ernst Simon Glaser | D♭ Major | 0 | 3B | 108 BPM | ||
Clarinet Quartet: I. Notturno. Adagio | Krzysztof Penderecki, Kilian Herold, Florian Donderer, Barbara Buntrock, Tanja Tetzlaff | G Minor | 0 | 6A | 76 BPM | ||
Altar de cuerda: I. Morisco chilango | Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, María Dueñas | B♭ Major | 5 | 6B | 129 BPM | ||
Elternabend | Marvin Miller | C Major | 3 | 8B | 82 BPM |
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