Nicol Matt, Jörg Halobek, Ute Petersilge, Soloists Of The Freiburger Barockorchester, Nordic Chamber Choir, Johann Sebastian Bach, Jens Wollenschläger, Robert Sagasser, Heike Hümmer, Martina Rotbauer's 'Johannes Passion Bwv 245: Herzlich Lieb Hab' Ich Dich, O Herr' came out on March 28, 2007. With Johannes Passion Bwv 245: Herzlich Lieb Hab' Ich Dich, O Herr being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 25 out of 201 in Bach Edition Vol. 23, Chor by Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Johannes Passion Bwv 245: Herzlich Lieb Hab' Ich Dich, O Herr is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Johannes Passion Bwv 245: Herzlich Lieb Hab' Ich Dich, O Herr by Nicol Matt, Jörg Halobek, Ute Petersilge, Soloists Of The Freiburger Barockorchester, Nordic Chamber Choir, Johann Sebastian Bach, Jens Wollenschläger, Robert Sagasser, Heike Hümmer, Martina Rotbauer is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Liebeslieder. Waltz for Vocals and Piano Four-Hands, Op. 65: No. 7, "Vom Gebirge Well auf Well" | Johannes Brahms, Jürgen Meier, Friederike Haug, Chamber Choir Of Europe, Nicol Matt | C Major | 2 | 8B | 162 BPM | ||
Concerto à 5 in B-Flat Major for Oboe and Strings, Op. 9 No. 11: I. Allegro | Tomaso Albinoni, Stefan Schilli, Stuttgart Chamber Orchestra, Nicol Matt | D Major | 3 | 10B | 108 BPM | ||
Missa Divi Xaverii, ZWV 12: Kyrie eleison I | Jan Dismas Zelenka, Hana Blaziková, Lucille Richardot, Václav Čížek, Stephan MacLeod, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | A♭ Major | 1 | 4B | 93 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: IV. Offertorium, 1. Domine, Jesu Christe, (c) Quam olim Abrahae promisisti | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | D Major | 3 | 10B | 133 BPM | ||
Missa Sancti Pauli: No. 5, Et in terra pax | Francesco Bartolomeo Conti, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | G Major | 3 | 9B | 120 BPM | ||
Zwei Motetten, Two Motets Op. 29: Schaffe In Mir, Gott | Chamber Choir Of Europe, Reinhard Geller, Johannes Brahms, Jens Wollenschläger, Nicol Matt | C Major | 2 | 8B | 66 BPM | ||
Misatango, Misa a Buenos Aires: XIII. Benedictus | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | G Major | 2 | 9B | 100 BPM | ||
Fantasia I sopra Ut-Re-Mi-Fa-Sol-La, FbWV 201: VI. Pt. 5 | Johann Jakob Froberger, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Magnificat, Wq. 215: Magnificat, Wq. 215: 4. Chor. Et misericordia eius | Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | E♭ Minor | 1 | 2A | 71 BPM | ||
Requiem in C Minor: VI. Pie Jesu | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | F Minor | 0 | 4A | 76 BPM |
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