Jeremy Siepmann's 'Frederic Chopin: Life and Works: Music: Sonata in C Minor (Opening)' came out on July 16, 2001. With Frederic Chopin: Life and Works: Music: Sonata in C Minor (Opening) being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jeremy Siepmann's "Life and Works: Chopin" album is number 10 out of 69. Based on our statistics, Frederic Chopin: Life and Works: Music: Sonata in C Minor (Opening)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Frederic Chopin: Life and Works: Music: Sonata in C Minor (Opening) by Jeremy Siepmann to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Instruments Of The Orchestra: Tagell: Flamenco | Jeremy Siepmann | F Major | 1 | 7B | 100 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Saraband | Benjamin Britten, English Chamber Orchestra | G Minor | 1 | 6A | 82 BPM | ||
Bach, JS: Brandenburg Concerto No. 3 in G Major, BWV 1048: II. Adagio & III. Allegro | Johann Sebastian Bach, Alison Bury, Orchestra of the Age of Enlightenment | F♯ Major | 6 | 2B | 127 BPM | ||
Abdelazer, Z.570: 2. Rondeau | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | D♭ Minor | 1 | 12A | 97 BPM | ||
Béatrice et Bénédict, Op. 27, H 138: Ouverture | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | G Major | 0 | 9B | 101 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
Guiseppe Verdi: Life and Works: Requiem: 'Rex tremendae' | Freddie Jones, Jeremy Siepmann | D♭ Major | 3 | 3B | 83 BPM | ||
Instruments Of The Orchestra: Molter: Bassoon Concerto In G Minor: III. — | Jeremy Siepmann | G Minor | 1 | 6A | 96 BPM | ||
Frederic Chopin: Life and Works: Music: Nocturne in C-Sharp Minor | Jeremy Siepmann | D♭ Minor | 0 | 12A | 131 BPM | ||
Water Music, Suite No. 2, HWV 349: Water Music, Suite No. 2, HWV 349: XII. [Alla Hornpipe] | George Frideric Handel, Akademie für Alte Musik Berlin | D♭ Major | 2 | 3B | 132 BPM |
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